Audited

April 17, 2012 by · 3 Comments
Filed under: Business, Life 

Fortunately we don't have to file taxes as in this picture from 1920 in the U.S.

For the 17 years that we have lived in Israel, we have been boy scouts when it comes to paying our U.S. taxes. We file our 1040s dutifully, even though there is rarely any tax to pay (we pay our 45% pound of flesh to the Israeli authorities and then the double taxation treaty with the U.S. keeps us in the clear).

That doesn’t mean it’s easy: this last year we became aware that we’d never filed two forms – one for foreign owned businesses (I have one) and the other a declaration of most of our personal assets. Neither have any tax implications – they’re for information only – but failure to file carries a $10,000/year penalty. It cost a small fortune to get into compliance – and even that wasn’t a sure thing.

So when I received a thick envelope from the IRS (the U.S. Internal Revenue Service) yesterday, my heart started to pound. If it was just a statement of acceptance – or even a refund! – that would have been a one-pager.

We were being audited.

The letter tried to reassure us that it was probably just a random selection and in all likelihood we’d be fine. There was no mention of the two forms I’d filed late, which was a relief. But it summoned us to an examination by telephone, which would probably take “two hours,” it said. We would also have to send in advance a vast number of documents – bank statements, checks, proof that our children were dependents during the period for which we were being audited – all in English.

Our bank statements, invoices and receipts are in Hebrew of course. The letter said these would all need to be re-written by a “certified” translator, one with an Internet site to verify his or her credentials (and prices). No Hebrew speaking buddy would be accepted. Thankfully, there was no requirement for notification, which can run a good $100 per page.

I was audited a couple of years back by the Israeli tax office. They sent two women to my home office and grilled me over my business expenses. I had to call my accountant several times during the examination in order not to make a costly gaffe with my spotty Hebrew. In that case, my file was closed and I was off the hook. Hopefully it will be the same way this time.

Have you ever been audited by the IRS? I would love to hear about your experience. Please leave your comments on this blog.

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Bouquet entrepreneurs

April 16, 2012 by · 3 Comments
Filed under: Art, Business, design, General, Israeliness, Life 

Having worked for a florist once, I know just a little about arranging flowers, and it’s still a pleasure of mine, particularly during my favorite flower season, Israel’s winter, when poppies and tulips abound.

But there are several enterprising Israelis who have made flower accoutrements into a profession. One company I’m thinking of is design group T.H.+E, which created the VAZU, a thin, collapsible plastic vase imprinted with bold prints that is a fave gift of mine to give both for its creativity, durability and size — no searching for high shelves for storing this vase.

I also recently heard about Bouquoo, a father-and-daughter team that created a vase for tall flower arrangements. The vase includes a glass spine for keeping the flower bunch upright, and then set in a low glass that doesn’t detract from the flowers themselves. Again, given small Israeli spaces, it serves the vase purpose, but stores easily without taking up too much space.

Given that it’s not inexpensive to manufacture, Charles and Adele Yawitz, the father-daughter Bouquoo team, embarked on a Kickstarter campaign to raise $20,000 in order to jumpstart their first manufacturing run. Kickstarter is an online funding platform for creative types. Those who pledge money don’t necessarily receive anything in return — although $300 Bouquoo ‘investors’ will receive a museum version of Bouquoo — except for the knowledge that they’ve helped someone realize their dream.

No pressure, though…

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Foto Friday – T-Market Tel Aviv 2012

April 12, 2012 by · Leave a Comment
Filed under: A New Reality, Art, Business, design, Entertainment, Foto Friday, General, History and Culture, Holidays, Israeliness, Life, Music, News, Picture of the Week, Pop Culture, Travel, tv 

We are back from the T:Market Tel-Aviv Passover 2012 and are now all kitted out for summer. The event, which has been going strong for almost a decade, gathers the city’s independent t-shirt designers together under one roof (it’s more of a tent, really) for a 3-day long festival of fashion, accessories and music.

T-shirts, according to a lengthy Wikipedia entry, are a form of personal expression. Fortunately, for those who have difficulty in expressing themselves, (or perhaps, in forming coherent thoughts), since the 1950s there have been manufacturers willing to fill the echoing gap and Israel has long been a part of that trend (check out my Entebbe Raid tee from 1976). Over the past few years, however, there has been an explosion in underground manufacturers using the t-shirt as a canvas to post artistic, social and/or political commentary and/or humor.

Their messages aren’t everyone’s cup of tea (or is that tee?) and the humor of today’s Israeli youth might not be accessible to all. For example, last year I did not get why a picture of a jihadist Smurf caused gales of laughter among the 12 year-old set, and you have to know who Uza the duck from Educational TV is to understand the Rambo-like image of “Uza and Uzi”. Similarly, you must be familiar with the wandering boy Marco from the children’s cartoon series The Heart to understand why he’s searching Google for “mother”.

This year, Passover was the theme for the T:Market’s promotional photo shoot, with matza anad gefilte fish playing an important part of the styling.

Photo by Ben Palhov

This karate chopping matza-mauling cutie sports a top by TwentyFourSeven…
Photo by Ben Palhov

Fashion house Chop Shop offers more conventional wares in an unconventional setting…

Haifa-based GhosTown were selling off their Winter 2012 collection, featuring designs by Broken Fingaz Crew…

Hand to Hand, based in Paris and Tel Aviv, offer a glimpse into their screen-printing process and, if you visit their Facebook page, into the ink drawing process as well.

Gelada Studio express their Russian origins with a nod and wink to Soviet realism…
Photo by Ben Palhov

And judging from the many Press & TV clips on their Facebook page, their Socialist-styled themes have resonated with the Israeli celebrity set!

There are another 30-odd exhibitors at the T:Market, which continues running through the weekend, with a full exhibitor list available at Dice Marketing. If you can, get on over there and if not, check out the T:Market page on Facebook.

I’m posting early as today (Thursday) is the eve of Passover’s second holiday. Chag Sameach to all!

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Nostalgia Sunday – Lahiton and the Hit Parades

April 8, 2012 by · Leave a Comment
Filed under: Art, Business, Entertainment, General, History and Culture, Israeliness, Movies, Music, News, Nostalgia Sunday, Pop Culture, Profiles, tv 

Where are the Israeli hit parades of yesteryear?, was the question that arose during the annual Passover post-lunch shmooze-fest. It’s indeed a subject for discussion, as song charts came to Israel many decades after being a standard part of Western pop music culture, and a tricky subject at that, as our early hit parades were based not on record sales but rather on postcards sent in by fans to the state-run radio networks and subject to the whims of the broadcasters at those networks.

An annual Hit Parade, based on the weekly ones, has been broadcast on Rosh Hashana, the Jewish New Year, since 1963. There are actually two annual Hit Parades, one on Galei Zahal (GLZ), the army radio network and the other on the Israel Broadcast Authority (IBA). GLZ decided to split the charts into Hebrew-language songs and international songs in 1967; IBA followed suit two years later. IBA pop station Reshet Gimel began operations in 1973 and took over the hit parade responsibilities for the network.

So there were two hit parades, both based on the tastes of teenage girls with time on their hands (and postage stamps) and 30-year old DJs — the two groups that traditionally call the shots in pop music. But despite the demographics, these do not a real hit parade make because real charts reflect record sales. And in a country where the two main record companies, Hed Arzi and CBS, essentially had no competition (until Helicon came along in 1985), such information was not made public.

I’m not sure why but like so many other things in Israel, probably it wasn’t out of meanness but more likely out of lethargy (it’s very hot here), ignorance (What, record companies in America tell people about their business? Why?) and because no one ever got around to thinking of it (reserve duty, Jewish holidays, wars, food shopping, etc.).

Enter Lahiton. Founded and edited by Uri Aloni and David Paz as a bi-weekly magazine in September 1969, a year later, Lahiton became a weekly, presenting a kind of journalism previously unknown in Israel: news and gossip about music and performers, record reviews, lyrics, pictures, full-color posters that decorated the walls of children and teens across the country, and charts — not only Israeli but foreign ones, too.

Lahiton also initiated a Gold Record award whose first winners were Shlomo Artzi, Dorit Reuveni and Igal Bashan. Following Lahiton’s lead, Israel’s record companies also began awarding Gold Records to artists with albums selling over 20,000 copies, thus tacitly releasing sales information.

In 1976, Lahiton merged with movie magazine Olam HaKolnoa and began reporting on movies stars as well as singers. The magazine’s popularity began to wane in the early to mid-Eighties as its editors moved on to found new magazines and as Israelis became exposed to more sophisticated fare like Melody Maker, Rolling Stone and Billboard.

Lahiton folded in 1990. The archive is not online although some kind souls have taken to scanning and posting select pages, including some scans of the Hit Parade page.

Recently, a Facebook page launched, dedicated to all things Lahiton, with a very active community of people interested in sharing pictures and comments, with some also wondering where the old Hit Parades are at.

In fact, the IBA website has a search engine accessing all annual Hebrew-language Hit Parades dating back to 1969.

An extensive interview (in Hebrew) with Lahiton founding editors Aloni and Paz by pop culture researcher Eli Eshed can be found here.

For those interested in buying or selling vintage copies of Lahiton — or just looking at some really cool cover art — look no further than the BookSefer site with prices ranging from NIS 160 (Michael Jackson in his “Bad” phase) down to NIS 70 (Izhar Cohen in his Michael Jackson in his “Bad” phase).

And of course, there is an online alternative to take the place of the write-in postcard vote: Charts.co.il, which provides the latest chart information — of the many, many charts now available to us — and gives users the chance to rate their favorites, just like the old days.

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Israeli startup gets in on ‘Hunger Games’

April 8, 2012 by · Leave a Comment
Filed under: A New Reality, Blogging, Business, Entertainment, General, Movies, Pop Culture, Technology 

The Hunger Games may be breaking all the box office records in the US since its theater release last month, but its Facebook game is not far behind.

Developed by Israeli company Funtactix, the online game has become a big hit since being launched last week. Which should not be too surprising since the Jerusalem startup is apparently so talented that Lionsgate Films signed an agreement with them to develop the official ‘Hunger Games’ game – two months after it launched the Facebook game for Mission Impossible 4.

The Hunger Games online app enables fans of the film and the book dynasty to play with virtual friends based on the characters from the books and film.

“Even though we knew in advance that the movie would be a huge hit with teens we were still very excited when we saw the initial statistics, and we hope they will continue to grow and increase,” said Funtactix founder Yaron Leifenberg in a press release.

The (JVP) Erel Margalit-financed company was founded in 2006 and has developed a reputation in web-based gaming since its 2008 introduction of connected 3D multiplayer action gaming to the browser. Based in New York, with development teams centered in Jerusalem and Tel Aviv, Funtactix is another example of the burgeoning Hollywood-Israel connection in full bloom.

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