Israel hosts musical melting pot
Filed under: A New Reality, coexistence, Entertainment, General, Israeliness, Life, Music
But it was no joke for Ittai Shaked, Andy Bussuttil and Umit Ceyhan who make up The Bridge Project - based in cyberspace but coming down for landing this week in Israel.
All three musicians have a day gig at the successful Israeli startup Waves, which was profiled in ISRAEL21c a few years ago. Violinist Shaked is a quality assurance manager for the Grammy Award-winning company that develops audio mixing software for the digital age for sound engineers and producers. And Bussutil, a multi-talented musician who runs his own recording studio in Australia, and Ceyhan, the Turkish Muslim who currently lives in France and teaches sonic and cinematic arts at the University of Toulouse, are part of Shaked’s team testing the company’s new products.
When, over a year ago, Shaked posted a message to his more than 100 testers around the world asking if anyone wanted to get together virtually and create some music, Bussutil and Ceyhan responded. Thus began ongoing file sharing and music creation between the three, with each adding his own instruments and ideas onto the previous take of their world music combining everything from Middle Eastern sounds to klezmer and Balkan beats.
The chemistry between us was amazing – we found out we shared and loved the same kind of music, more or less, with different spices,” Shaked told me. “And all three of us play instruments that combine together very nicely. At some point, I realized that what we’re doing here is making an album.”
The result is Three Waves Under the Bridge, the fruits of their online efforts, and the arrival in Israel of Bussutil and Ceyhan this week to meet Shaked and each other face to face and perform a series of live shows around the country.
Three Waves Under the Bridge, mixed by Shaked and mastered by Bussuttil, is a reflective world music mosaic brimming with musical ideas, and featuring a genre-hopping range of instruments – North African percussion like bongos and darbukas, strings ranging from violin, viola and cello to clarinet and sax, and traditional Turkish instruments like the duduk, kopuz and saz.
The music is only part of their accomplishments. As Bussuttil said, “Our efforts were an attempt to unify people rather than divide them. And we hoped to demonstrate that people from different backgrounds can create more than conflict, we can create things of beauty as well.”
If you’re in the country, you can catch the Bridge Project on May 14 at the Tmuna Theater in Tel Aviv. Other shows on the mini-tour, supported by the Foreign Ministry and the Australian Embassy in Israel, include The Jame Club in Acre on May 17, The Jazz Club in Mitzpe Ramon on May 18, and Hemdat Yamin in the Galilee on May 19.
But anyone can enjoy their music here.
B&B owner, antiquities authority battle over ancient tomb
Filed under: A New Reality, coexistence, Crime, General, History and Culture, Israeliness, Life, Religion
That doesn’t likely happen too often in most parts of the world, but it did in Israel, to Mitch Pilcer, who owns picturesque bed-and-breakfast country establishment in the Galilee village of Tzippori, the home of early rabbinic sages.
Pilcer’s 2009 discovery of Rabbi Yehoshua Ben Levi’s grave, whose commentaries appear in the Talmud and legend has it was a close friend of Elijah the Prophet, has sparked an ongoing struggle with the Israel Antiquities Authority who have been demanding that Pilcer allow them to excavate the tomb.
According to a report by The Media Line, the IAA won a court order, and late 2009 it conducted a dig on the property and confiscated the headstone door, which had been inscribed in plainly legible Hebrew: “This is the burial place of Rabbi Yehoshua Ben Levi Hakapar.”
Later the IAA filed charges against Pilcer for carrying out an illegal excavation, damaging an ancient site and possession of antiquities. Pilcer’s trial began at the Nazareth Magistrate’s court last week where he pleaded not guilty. He has also made formal demands to have the stone returned to its original site.
Full disclosure here is that Pilcer is an old friend, and I’m on his side of this battle over the ownership of the stone and the site. Read the full story about his battle with the ‘Man’ here.
Let the Israeli party ad campaigns begin
Filed under: A New Reality, coexistence, Entertainment, Israeliness, Life, Politics, tv
Early elections seem to be a done deal, with Prime Minister Binyamin Netanyahu announcing Sunday night at a Likud convention the plan to dissolve the Knesset and establish the election date of September 4.
Early elections seem to be a done deal, with Prime Minister Binyamin Netanyahu announcing Sunday night at a Likud convention the plan to dissolve the Knesset and establish the election date of September 4.
Nobody really knows why virtually every party is clamoring for new elections over a year ahead of their scheduled appearance. But it’s clear why Bibi is agreeing – his Likud party stands to be the big winner according to all the recent polls.
With tour operators bemoaning the likelihood that Israelis are going to cancel late summer travel plans in order to be here for the elections, and the nation bracing for another symbiotic coalition of strange bedfellows, there’s not a lot to be optimistic about.
Luckily we have the campaign ads to look forward to. A truly entertaining exercise that wastes millions of shekels that could be better put to severely lacking social services, the party ads offer some unique ‘only in Israel’ moments that reveal a juicy cross-section of Israeli society.
You want to know what makes Israelis such a ornery, loveable bunch? Watch some campaign ads. Here’s a small sampling from 2007 – from Yisrael Beyteinu, Meretz and the defunt Shinui party.
On the road again to Ma’aleh Adumim
Filed under: A New Reality, coexistence, General, Israeliness, Life, News, Travel
Thus this week witnessed the opening of a new entrance to the city of Ma’aleh Adumim, the city east of Jerusalem on the way to the Dead Sea – a road that actually benefits the Palestinians in the neighboring town of Ezeriya.
Until now, residents of both locations used the same traffic circle that fed the entrances to both towns, causing traffic jams, and long delays for the Palestinians in particular. While that entrance will remain open, the traffic into Ma’aleh Adumim is going to decrease significantly because of the new entrance. It bypasses the main road and takes motorists through a picturesque incline, past a new Keren Kayamet man-made lake and park (with a Caffit restaurant) and into the heart of the city.
At the official ribbon-cutting ceremony Tuesday, Mayor Benny Kashriel was joined by Housing Minister Ariel Attias and other officials, touting the improvement to the quality of life of the area’s residents. Kashriel noted that for the last six months or so, he hadn’t failed to meet someone from Ma’aleh Adumim without being asked when the new road was going to open.
A few minutes after the modest ceremony, the orange cones were taken away, and the new road saw its first motorist. Attendees grabbed the last rugelach and drinks and made their own way back up the hill into the city. And life in a settlement goes on.
Reconciliation through music challenged
Filed under: A New Reality, coexistence, Entertainment, General, Israeliness, Life, Music, Social Justice
However in the week since the event, a Facebook group calling for the boycott of Nini has gained more than 3,500 members, who apparently think that such events provide moral equivalency between the deaths of Israelis and Palestinians. Nini dismissed such claims, writing on her Facebook page that “I am just shocked by this stupid and ugly distortion. I sang at an alternative ceremony, at which Jews and Arabs remember and cry together for their loved ones who were lost in the ongoing war between us.”
Neshama Carlebach, the Jewish spiritual singer and daughter of the late Rabbi Shlomo Carlebach, also stirred some feathers with her reworked version of Israel’s national anthem, ‘Hatikva’, recorded for Israel’s 64th Independence Day, and performed on Sunday at The Jerusalem Post Conference in New York.
The song, suggested by the Jewish paper The Forward, contains some new lyrics aimed at allowing both Jews and Arabs to relate to the words. Rather than singing “A Jewish soul still yearns” in the anthem, Carlebach sings, “An Israeli soul still yearns,” and instead of “An eye still gazes toward Zion,” she sings “An eye still gazes toward our country.”
Some attendees to the conference apparently were offended by the changed lyrics, and whether due to the late hour or in protest, Carlebach’s show with the Green Pastures Baptist Choir was sparsely attended.
Who said music soothes the savage beast? Here’s Carlebach’s reworked version of the anthem.















