This month, Israel’s nature-lovers will take their annual trek through field and forest in search of their favorite flowers. The Society for the Preservation of Nature (SPNI) is hosting a series of tours in celebration of the season and the upcoming Tu b’Shvat holiday. As always, they will seek out the shy and elusive Persian Cyclamen…

Photo by Sara Gold – Wildflowers of Israel

Fields dotted with blood red Crown Anemones are always a magnificent sight, but their light purple cousins are no less lovely…

Photo by Amikam Shoob – Wildflowers of Israel

The Common Narcissus, whose fragrance is nothing if not controversial…

Photo by Sara Gold – Wildflowers of Israel

The elegant and stately Wild Hyacinth…

Photo by Sara Gold – Wildflowers of Israel

And of course, Tu b’Shvat wouldn’t be complete without the blossoming almond tree!

Photo by Mike Livne – Wildflowers of Israel

Aspiring nature photographers take note: Wildflowers in Israel, in conjunction with Jerusalem Botanical Gardens and FujiFilm, is holding a photo contest and there are still a few days left before the deadline closes on February 8. Information and a list of subjects (in Hebrew) is available here or submissions can be emailed directly.

Share with others

An international panel of distinguished judges, comprising experts in both design and in Holocaust Education, selected the 16 best posters from more than 300 submitted by design students from France, Israel and the Czech Republic. They were asked to present works on the theme of Holocaust commemoration, with an emphasis on the nature of memory and the plight of children.

The three finalists designed posters that stood out for their originality, beauty, and meaning.

The work by Veronica Novakova, a designer from the Czech Republic, portrays a well-known childhood punishment. “Traditionally, to correct a child’s errant behavior, an adult will force the ‘naughty’ child to write his misdeed over and over again, until he ‘learns his lesson.’ In this case, the misdeed is written by a child who is forced to denounce his friendship with a Jewish friend.

Designer Martina Cejpova also explores the effect the Nazi anti-Jewish policy had on children. “In her poster, she depicts a universally-recognized image from childhood: a hopscotch board, chalked onto the pavement. This particular game, however, is marred by a hateful symbol of discrimination drawn onto its cross-arms – the yellow star. Its inclusion here indicates that the insidious and pervasive hatred perpetrated by the adult world has also filtered down to the world of children, destroying their innocence.”

French designer Boris Grzeszcak deals with another theme in his work – the nature of memory. “His black-and-white poster presents a striking image of a scarred tree cut to expose the rings. A deep gash cuts to the very core of the trunk, where the word “emet” (truth) is written in tiny letters… [The artist says,] ‘The truth resides in the act of remembering and above all, never forgetting these dramatic events.’”

Peter Chmela of the Czech Republic says, “This poster wants to show the impotence of Jewish children against the Nazi soldiers. I tried to illustrate this theme with a big contrast between soldier and child.”

Yael Boverman, Israel: “The object that a survivor carries throughout a lifetime enables him or her to keep their memory alive. The closet symbolizes a collective closet, reflecting the repressed memories of the Jewish people as a whole. For every survivor, the memory is forever present under the thin veil of everyday functioning, represented by the new shirts, but at the bottom of the stack, there always lies the shirt kept from a different time – the persisting memory of a past that refuses to be abandoned.”

The project is funded by the Task Force for International Cooperation on Holocaust Education, Remembrance and Research (ITF), together with Yad Vashem, Israel; Mémorial de la Shoah, France; and the European Shoah Legacy Institute, Czech Republic; in cooperation with the Holocaust and the United Nations Outreach Programme.

In addition to the posters, there is also a lesson plan that provides tools to aid students and teachers in discussing the more universal aspects of memory — as well as the challenges facing those who use the visual arts to commemorate the Holocaust today.

Share with others

In a radio interview today, Eshet said that he, together with his wife, the artist Dalia Eshet, always tried to find unusual locations and tell a story that expressed thought and originality. Venues like the Dead Sea, the zoo, the streets of Tel Aviv and even the Lebanon War were his backdrops. The couple served as stylists, makeup artists, directors, producers, designers — even model scouts, as there were no modeling agencies when they first started.

Eshet: “In the pre-modeling agency days, the relationship between fashion houses and myself was direct. Entire collections were sent to my studio and from that moment on until I got the photo I wanted I dealt with finding the models, designing and producing the image (including location and accessories) — and ‘decorating’ the model (the term ‘styling’ didn’t exist [in Israel])”.

Dalia Eshet: “He loved select the ones that came with a background in dance and movement. The model’s personality was an important component expressed in his photography”.

The exhibition presents photographs of those personalities, including Israel’s leading fashion models of the period, such as Penina Rosenblum circa 1972, before she became Israel’s most famous cosmetics queen / reality show / hoochie mama / ex-Knesset member…

Heli Goldberg went on to an acting career – including one of her best-known roles as a shopping cart bashing pudding thief in “The Battle For Milky” commercial…

The amazing Michaela Berko, Israel’s first 80s supermodel export (who recently paid homage to her famous Vogue cover on the cover of Israel’s La-Isha magazine)…

Exotic Tami Ben-Ami, who lived a supermodel’s life before they gave it a name. She dated wildly popular basketball player Aulcie Perry and was Gottex’s first house model. Sadly, she died of cancer in 1995 at just 40 years old.

The exhibition photos were selected from tens of thousands of images saved by the Eshets over the years, published in Israeli fashion magazines, catalogs, posters, ads and more. Definitely worth checking out, as is this report about Mula Eshet in his heyday.

Share with others

The name takes the hackneyed shopping channel phrase mutzar ha-yom, “product of the day”, and replaces it with the word ayom, meaning “horrible”. And indeed, many of the products are in fact, delightfully dreadful examples of visual wordplay.

Some of the ideas are universal in nature — others are unmistakably Israeli, for example, this toy soldier armed with mother’s cooking…

Water concentrate, as opposed to the ubiquitous sugary red mitz petel, so ingrained in the Israeli child’s psyche — and the Israeli child’s teeth!

A reversed three-fer electric adaptor…

A floor squeegee that actually gets into corners…

And my personal favorite, the real and original dubon coat.

Menkes also runs a Mutzar Ayom Facebook page in which followers are invited to comment on recent postings and share their own imaginary product ideas. Who knows, some might even make it into production — after all, if the Crembox can be an actual product fulfilling an actual need, then anything’s possible.

Share with others

Israel To Go is the name of a new cookbook slated for release in the coming months. The book, says Vardi, will present kosher Israeli cuisine with recipes and artwork solicited via crowdsourcing, which is an open call conducted mainly via online social networks, such as Facebook.

Photo: Untitled - Sasha Abramowitz

Contributing artists include Tali and Jonathan Korman, graphic designers with a sideline in fashion. Their T-shirt company, Bubulu Design, features images inspired by life in Tel Aviv — like this one, Hallo Artik, which pays homage to the humble beachfront popsicle vendor.

Photo: Hallo Artik – Bubulu Design

“We are looking for photos, artwork, drawings and graphic works documenting the Israeli culinary experience wherever it is. For example, a family dinner, people cooking, children playing with food, unique dishes, a special angle or places and situations that make your mouth water. Every artist has their own take on things, and their own taste.”

Photo: Israeli Breakfast – Orit Kovatz

“Israel To Go will be published in A6 (postcard) format – small, sweet and sassy. This size allows tourist to carry the book easily in their bag or pocket and take it home as a souvenir — a delicious gift for friends and family.”

Photo: Jerusalem – Benny Sharoni

Lunchbox is still soliciting artwork submissions and while the project does not pay it does offer exposure and, of course, copies of the book. In addition, Vardi says, “We also hope to organize an exhibition with the launch of Israel To Go in bookstores.”

Photo: Dining Room – Adi Kfir

Interested artists and photographers are invited to submit according to the following specifications: 1. Files in jpeg or eps in full color (CMYK) and print quality (dpi300); 2. Vertical work size: width: 11 cm, height: 16 cm, lateral work size: width: 22 cm, height: 16 cm. 3. Contact details: First Name (English only), Last Name (English only), email address and website (if any). Works should be sent to israeltogo1@gmail.com. Deadline is January 15th.

Share with others

But for most of the summer, it looked like this…
Photo: Wikimedia Commons

Sadly, it still does look like that in Jerusalem’s Sacher Garden, where the truly homeless continue to reside in the cold and wet. The next chapter in the Social Justice movement remains to be written in 2012.

Some chapters were closed in 2011, which marked the 10th anniversary of the 9/11 attacks on the World Trade Center and the homecoming and start of a brand new life for Gilad Shalit after over five years of imprisonment by Hamas.
Photo: IDF Spokesman via Wikimedia Commons

Prime Minister Benjamin Netanyahu and Minister of Defense Ehud Barak were present at Shalit’s release — so much so that they were accused of being publicity hounds (does no one know anything about politicians?) — and Netanyahu’s image was used to create the first Israeli photo meme.

There were other beginnings as well. A rare sand cat was born at the Ramat Gan Safari…
Photo: Tibor-Jager

Jerusalem held its first marathon and got its first Light Railway…
Photo: Wikimedia Commons

The Dead Sea was not selected as one of the New 7 Natural Wonders of the World…

Photo: New7Wonders

On the other hand, the nomination campaign may have served to draw public attention to the salt lake’s plight — just this week, Israel Corporation subsidiary Israel Chemicals reached an agreement with the Ministry of Finance on terms for the Dead Sea’s rehabilitation from excessive salt harvesting. It’ll be interesting to see if this promise, along with many others made in 2011, will be fulfilled in 2012. Here’s to that, and to a hopeful and happy New Year!

Share with others

Panoramic photography, states Wikipedia, “is a technique of photography, using specialized equipment or software, that captures images with elongated fields of view. It is sometimes known as wide format photography.” (Click here for more about the methods used to create 360 images). Panoramic photo images have been around since the mid 1800s; this one of Jerusalem was taken in the early 20th century.

Photo courtesy of Wikimedia Commons.

As with everything else photographic, clearly, the technology has evolved. Take, for example, this amazing 360 degree panoramic photo of the Galilee.

Tel Yodfat, Galilee, Israel in Israel

The Church of All Nations is located on Mount of Olives in Jerusalem, next to the Garden of Gethsemane. Click on this photo — the link will take you to a panoramic view of the Church, the Garden and the walls of the Old City, courtesy of 3D Israel.

Israeli company Simply Live has developed a highly technologically advanced 360 degree video camera (only last week presented at the Bezeq Expo innovation showcase). Click on this photo of the Church of the Holy Sepulchre — the link takes you to their site where you can view an interactive video that allows you to enter and move through the Church interior.

A fascinating if politically charged panoramic view of Israel’s coastline as viewed from the West Bank is available at MyIsrael.com. The site owners are very blunt about the purpose of the wide-angle shot: they wish to show how vulnerable Israel would be to an attack were pre-1967 borders to be reinstated. It takes only one look to see why the situation here is complicated.

Even on its own, the image is complex: a very wide-angle view (MyIsrael.com say it is the largest publicly available) with interactive controls so that viewers can zoom in on highly detailed close ups. Photographer Yaal Herman provides several pages of explanation on how the photo (really hundreds of photos stitched together) was accomplished. Click on this thumbnail to see the full version.

Whatever the political future holds, we can still hope for stability, quiet and — dare I say it? — peace. A few weeks ago, I was in Bethlehem once again for the annual Papal Peace Run. Instead of a highly secured, quick in-and-out, I would like to be able to return one day at my leisure to visit the Church of the Nativity. Till then, I will visit this way — and invite you to do so, too. Happy holidays to all.

Church Nativity Bethlehem in Israel

Grotto of the Nativity – Church of the Nativity, Betlehem in Israel

Share with others

Anaglyph images provide a stereoscopic effect when viewed through glasses with two different colored lenses. The technology is enjoying a 21st century comeback due to Photoshop and other programs that allow people to easily create anaglyph images and post them online. So, get your red and cyan spectacles on! It’s time to view the sights and sounds of the Holy Land in three dimensions!

There’s been a resurgence in anaglyph movies as well. Production company Highlight Films provides a range of services to facilitate and manage TV, film and video productions, including researchers, production fixers, camera crews, HD cameras and equipment, location scouting, personnel and, of course, 3D film and video. Enjoy.

3D HD landscapes of Israel

3D Dead Sea 7 Wonders

3D Jerusalem

Share with others

Using a unique origami technique known as Tesselation, artist Ilan Garibi creates lighting fixtures made of Japanese paper and red mahogany. Tessellation refers to a collection of figures fill a plane with no gaps or overlaps. In origami tessellations, pleats are used to connect elements together in a repeating fashion.

Garibi, a retired Israeli Defense Forces officer, was first introduced to the Japanese art of paper-folding at age 12 by a family friend but it was in 1996, while on assignment in Asia, that he took on origami as his hobby. In an interview with All Things Paper, Garibi related that while in the IDF, he would motivate his soldiers to get up early with the promise of origami lessons.

“Those lessons were always full… soldiers liked the idea of having a break from the serious business, to have their commander taking down his uniform shirt and teach the crane or a Ninja star.”

About five years ago, he began creating his own individual designs — mostly complex geometric patterns — that attracted attention and led to several exhibitions. Today, with 170 unique designs to his credit, he teaches “Origametria” a technique pioneered by Miri Golan and Paul Jackson of the Israel Origami Center, that uses origami to teach geometry in high schools. He also writes for the British Origami Society magazine, The Fold, (the online magazine of OrigamiUSA), and has authored a book on the subject.

See more pictures of Ilan Garibi’s work on his Flickr page. For more about Origametria, view this short film from 2006, which shows some of the IOC’s activities, including their peace program, Folding Together.

Share with others

Elbling’s work combines photography and computer digital processing. “I photograph raw material, then deconstruct and re-organize it on the computer,” she writes. “The process is comprised of several stages and operates in layers, while keeping the logic of the photographic order intact.

Untitled Photo by Liat Elbling

“The main themes in my work relate to photography as a representation of reality and to the relationship between photography and memory. I am fascinated by the manner in which photography is considered reliable testimony and used to mediate reality.”

(A) Part #50888970 Photo by Liat Elbling

“My work focuses on uncovering scenes and images that posses day-to-day familiarity but at the same time, it’s seems like they have been exaggerated or have lost the ability to function.”

Azoulay, who received her MFA from the Bezalel Art Academy last year, stated, “I start with an attempt to create a place and only then to document it in a photograph; to detach objects from their usual adjectives, to annul the common familiar meaning they hold and rearrange them into a different and coherent reality.”

A space for a man with a chair Photo by Ilit Azoulay

About Azoulay’s work, Goren writes: “Like an archaeological study that sorts and catalogues findings from the past, she collects remnants of the present and applies onto them a clear regularity of gaze and photographic conditions, and assembles a continuous pictorial sequence devoid of thematic meaning.”

Room #8, 2011 (detail) Photo by Ilit Azoulay

“The space achieved in the final photograph subverts the spatial logic of sensual vision, its photographic representation and their (the gaze’s as well as the photograph’s) interpretation through the human brain, i.e. with consciousness tools.”

Tunnel Photo by Ilit Azoulay

The Tel Aviv Museum of Art – Leon and Michaela Constantiner Photography Award for an Israeli Artist was founded in 1999. Award recipients include Pesi Girsch (1999); Dalia Amotz, Simcha Shirman, Ori Gersht (2000); Barry Frydlender, Hanna Sahar (2001); Lee Yanor, Galia Gur-Zeev (2002); Adi Nes (2003); Reli Avrahami (2004); Leora Laor, Igael Shemtov, Pavel Wolberg (2005); Roi Kuper (2006); Michal Chelbin (2007); Yanai Toister (2008); Naomi Leshem (2009). In addition to the Prize, the photographers’ works are entered into the Museum collection.

Share with others