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Foto Friday – T-Market Tel Aviv 2012

We are back from the T:Market Tel-Aviv Passover 2012 and are now all kitted out for summer. The event, which has been going strong for almost a decade, gathers the city’s independent t-shirt designers together under one roof (it’s more of a tent, really) for a 3-day long festival of fashion, accessories and music.

T-shirts, according to a lengthy Wikipedia entry, are a form of personal expression. Fortunately, for those who have difficulty in expressing themselves, (or perhaps, in forming coherent thoughts), since the 1950s there have been manufacturers willing to fill the echoing gap and Israel has long been a part of that trend (check out my Entebbe Raid tee from 1976). Over the past few years, however, there has been an explosion in underground manufacturers using the t-shirt as a canvas to post artistic, social and/or political commentary and/or humor.

Their messages aren’t everyone’s cup of tea (or is that tee?) and the humor of today’s Israeli youth might not be accessible to all. For example, last year I did not get why a picture of a jihadist Smurf caused gales of laughter among the 12 year-old set, and you have to know who Uza the duck from Educational TV is to understand the Rambo-like image of “Uza and Uzi”. Similarly, you must be familiar with the wandering boy Marco from the children’s cartoon series The Heart to understand why he’s searching Google for “mother”.

This year, Passover was the theme for the T:Market’s promotional photo shoot, with matza anad gefilte fish playing an important part of the styling.

Photo by Ben Palhov

This karate chopping matza-mauling cutie sports a top by TwentyFourSeven…
Photo by Ben Palhov

Fashion house Chop Shop offers more conventional wares in an unconventional setting…

Haifa-based GhosTown were selling off their Winter 2012 collection, featuring designs by Broken Fingaz Crew…

Hand to Hand, based in Paris and Tel Aviv, offer a glimpse into their screen-printing process and, if you visit their Facebook page, into the ink drawing process as well.

Gelada Studio express their Russian origins with a nod and wink to Soviet realism…
Photo by Ben Palhov

And judging from the many Press & TV clips on their Facebook page, their Socialist-styled themes have resonated with the Israeli celebrity set!

There are another 30-odd exhibitors at the T:Market, which continues running through the weekend, with a full exhibitor list available at Dice Marketing. If you can, get on over there and if not, check out the T:Market page on Facebook.

I’m posting early as today (Thursday) is the eve of Passover’s second holiday. Chag Sameach to all!

Salami Seder

While most of my family spent Seder night around an overloaded table of food, groaning with the weight of delicacies lamb, fish, meat, chicken delicacies as well as all the traditional Passover foods (love that eggs in salt water), my daughter was having a Seder with her soldiers along the border with Egypt.

She had just finished 12 hours of patrols and assignments, and was able to relax and enjoy herself, with a spread, although not quite as sumptuous as ours, still featured a respectable chicken soup and matza balls and roast beef.

She was much luckier though, than soldiers in the Kfir Brigade, who according to reports on Israel Radio and Channel 2, had to make do with salami and matzah for their Seder meal.

Evidently, a chef on their base heated up the planned Seder food after the holiday began, rendering it unkosher according to strict Jewish law, and thus army rules, which follow the laws of kashrut. The kashrut supervisor on the base didn’t hesitate to throw away the entire batch of food, leaving the hungry soldiers, who had also just returned from a mission, only the salami and matza to eat.

Now, I’m one of the first ones to love the fact that when you’re in the army, or you go to a government office, or a sanctioned hotel, you can be assured that the food is going to be kosher – it’s one of the great aspects about Israel.

But, perhaps there are instances when a little common sense is required? I’m not sure what percentage of those Kfir soldiers keep kosher, but couldn’t they have been given the option – after an explanation of what happened – to decide for themselves whether they wanted to eat the heated food or not? After all, it’s not like the food isn’t really kosher – it was just heated up (by somebody else).

My wife says that this would have made the religiously observant soldiers feel especially bad, seeing their fellow soldiers feasting on Seder food while they were stuck with salami. What do you think?

I just know that if it was my daughter who had been served salami on Seder night because of an oversight by an army cook, I would have thought that we’ve lost track of what’s really important in our society.

Nostalgia Sunday – Lahiton and the Hit Parades

Where are the Israeli hit parades of yesteryear?, was the question that arose during the annual Passover post-lunch shmooze-fest. It’s indeed a subject for discussion, as song charts came to Israel many decades after being a standard part of Western pop music culture, and a tricky subject at that, as our early hit parades were based not on record sales but rather on postcards sent in by fans to the state-run radio networks and subject to the whims of the broadcasters at those networks.

An annual Hit Parade, based on the weekly ones, has been broadcast on Rosh Hashana, the Jewish New Year, since 1963. There are actually two annual Hit Parades, one on Galei Zahal (GLZ), the army radio network and the other on the Israel Broadcast Authority (IBA). GLZ decided to split the charts into Hebrew-language songs and international songs in 1967; IBA followed suit two years later. IBA pop station Reshet Gimel began operations in 1973 and took over the hit parade responsibilities for the network.

So there were two hit parades, both based on the tastes of teenage girls with time on their hands (and postage stamps) and 30-year old DJs — the two groups that traditionally call the shots in pop music. But despite the demographics, these do not a real hit parade make because real charts reflect record sales. And in a country where the two main record companies, Hed Arzi and CBS, essentially had no competition (until Helicon came along in 1985), such information was not made public.

I’m not sure why but like so many other things in Israel, probably it wasn’t out of meanness but more likely out of lethargy (it’s very hot here), ignorance (What, record companies in America tell people about their business? Why?) and because no one ever got around to thinking of it (reserve duty, Jewish holidays, wars, food shopping, etc.).

Enter Lahiton. Founded and edited by Uri Aloni and David Paz as a bi-weekly magazine in September 1969, a year later, Lahiton became a weekly, presenting a kind of journalism previously unknown in Israel: news and gossip about music and performers, record reviews, lyrics, pictures, full-color posters that decorated the walls of children and teens across the country, and charts — not only Israeli but foreign ones, too.

Lahiton also initiated a Gold Record award whose first winners were Shlomo Artzi, Dorit Reuveni and Igal Bashan. Following Lahiton’s lead, Israel’s record companies also began awarding Gold Records to artists with albums selling over 20,000 copies, thus tacitly releasing sales information.

In 1976, Lahiton merged with movie magazine Olam HaKolnoa and began reporting on movies stars as well as singers. The magazine’s popularity began to wane in the early to mid-Eighties as its editors moved on to found new magazines and as Israelis became exposed to more sophisticated fare like Melody Maker, Rolling Stone and Billboard.

Lahiton folded in 1990. The archive is not online although some kind souls have taken to scanning and posting select pages, including some scans of the Hit Parade page.

Recently, a Facebook page launched, dedicated to all things Lahiton, with a very active community of people interested in sharing pictures and comments, with some also wondering where the old Hit Parades are at.

In fact, the IBA website has a search engine accessing all annual Hebrew-language Hit Parades dating back to 1969.

An extensive interview (in Hebrew) with Lahiton founding editors Aloni and Paz by pop culture researcher Eli Eshed can be found here.

For those interested in buying or selling vintage copies of Lahiton — or just looking at some really cool cover art — look no further than the BookSefer site with prices ranging from NIS 160 (Michael Jackson in his “Bad” phase) down to NIS 70 (Izhar Cohen in his Michael Jackson in his “Bad” phase).

And of course, there is an online alternative to take the place of the write-in postcard vote: Charts.co.il, which provides the latest chart information — of the many, many charts now available to us — and gives users the chance to rate their favorites, just like the old days.

Foto Friday – Assaf Pinchuk images Israel

It’s the morning of Erev Pessach, Passover eve, and the country is in its final involuntary shopping, cooking and cleaning spasm. This evening, a blessed quiet will fall over Israel and for a few moments, all will be clean, orderly and in place.

That sense of balance, of everything being as it should be — dare I say it, of seder — is present in these images by commercial photographer Assaf Pinchuk, who specializes in architectural and industrial subjects. In his work, Pinchuk gives us a glimpse of the Israel we aspire to be. Even the unruly building blocks and winding streets of an old Tel Aviv neighborhood fall into place…

A office building lobby becomes a composition of light, shadow, contrasting colors and structural elements…

The city’s famously dynamic night life is omnipresent in the saturated green of a rest room…

A Tel Aviv rooftop apartment glows against a darkening sky…

In daylight, through the windowshades, the harsh Mediterranean sun paints white walls with shadow…

As always, the best days end with sunset on the Tel Aviv beach.

Assaf Pinchuk studied photography at Hadassah College, Jerusalem, after which he interned and worked with Cologne-based photographer Hans-Georg Esch. Together with wife and business partner Miri, Pinchuk opened his own studio in 1998, with the goal of producing unique, dynamic, smart and inspiring images for a client list that includes some of Israel’s leading companies and institutions.

The mad rush to the Seder

It may seem like just about every Israeli is out at the supermarkets and the malls preparing for Passover- that’s because it’s true.

It’s not just a religious holiday here, it’s a national one, with surveys citing 90% of the Jewish population attending Seders, far higher than the rate of religious observance in the country.

The country has been in overdrive this whole week, with households driving themselves crazy cleaning and shopping for the holiday which begins Friday night. We thought we would beat the rush and arrived at our local Rami Levy supermarket at 8 am Wednesday morning. And while there weren’t lines out the door, it was clear that we weren’t as smart as we thought, as the parking lot and the shopping aisles were pretty full, but not in a manic mode.

Since we’re having our Seder with our daughter’s future in-laws, we didn’t have an overflowing shopping cart, and the whole ordeal was pretty civilized. In the checkout line which was getting longer by the minute, the cashier took a breath between customers and said with a shake of her head, “It’s going to be like this until midnight.”

I’m sure it was, and it only got worse the next day. But come Friday afternoon, an aura of serenity will descend on the country, and families will start getting dressed for the big night of the year. And around 6 pm, there will be a different kind of exodus as cars fill the nation’s highways bringing families and friends together for their Seder. It’s one of those times where living here feels just about right.

 

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