TIME cites Israeli for creating ‘new art form’
Filed under: A New Reality, General, Music, Pop Culture, Technology, design
We wrote about him back in March and now the rest of the world is catching on. One of the top 50 inventions of 2009, according to TIME magazine is the music video montage Web site created by Israeli musicians Ophir Kutiel, who goes by the name Kutiman.
Kutiel’s site, thru-you.com, has atttracted more than seven million viewers with its striking remixes of video clips by amateur musicians from YouTube. TIME called the work “video jams of amazing funkiness, in the process creating an all-new art form.”
Kutiman takes YouTube footage of people giving gear demos and lessons on how to play certain riffs and combines them into incredibily cohesive and soulful songs. Hailed as the “psychedelic funk architect” Kutiman brings UGC (Users Generated Content) to the next level.
According to his record company NMC, Kutiman sat in his bedroom studio and watched and sorted thousands of music videos uploaded to YouTube by mostly anonymous users. Kutiman chose around a 100 of these videos – made by users from all around the world, featuring both musical instruments, vocals, toys and other surprising artifacts, and fused them together into Thru You. Using only materials found on YouTube, not playing a single note himself, Kutiman’s Thru You is a 21st century version of Found Art.
On an inventions list consisting of primarily gadgets and technology, Kutiman’s Thru You is certainly striking an appealing chord.
Nostalgia Sunday – Old ads are more fun
Filed under: General, History and Culture, Israeliness, Movies, Music, Nostalgia Sunday, Pop Culture
If we are to learn anything from Mad Men, it’s that advertisements are most fun and best viewed in retrospect. We look back in “What were they thinking?” wonderment at the positioning of certain products. For example, here’s a slideshow of Israeli advertisements from yesteryear – including one for Osem’s Bamba as a crispy late-night party snack – a far cry from it’s primary role today as the ultimate teething toy.
Or this one, for Elite powdered instant coffee. Although it employs a completely archaic production method, “Cafe Ness” is still being consumed happily by millions. Or thousands. Or at least by me.
Here’s something you don’t see every day – an advertisement for cigarettes! With actual smoking!
And to close, an ad featuring the Yarkon Bridge Trio (Shlishiyat Gesher HaYarkon) — Benny Amdursky, Yehoram Gaon and Arik Einstein racing around town and touting the wonders of Tadiran’s new-fangled electronic devices.
As you watch, bear this in mind: TV in Israel was black & white until 1980, broadcasting was limited to one commercial-free station until 1993 and ads were shown only in movie houses.
Music downloads? Israel goes CD retro
Filed under: A New Reality, Business, General, Israeliness, Life, Music, Pop Culture
As more and more people are downloading music on the Web and choosing Ipods over CD players, where can you find the good, old fashioned mega-CD stores? In Israel!
True, Tower Records has taken a hit here, with its Jerusalem flagship store closing down last year, but instead of throwing in the flag, other outlets have taken up the slack.
Whenever I’m in Tel Aviv – like yesterday – I try and make it over to the Ozen Hashlishi (Third Ear) on King George St. It’s the closest you can get in Israel to imagining you’re at one of those sprawling vintage CD/vinyl shops in the Village in New York, where the clerks wear Black Flag t-shirts and look like they’d just as soon stab you as take your money.
Tons of used and new CDs, vinyl, DVDs, books, featuring ample sections of niche music like ‘Israeli indie’ and ’60s Psychedelic,’ the Ozen is one of the few places you can pick up a copy Television’s landmark Marquee Moon CD – and at a bargain price. They’ve also got a club which at night hosts eclectic Israeli rockers for intimate unplugged chats with fans.
But Tel Aviv doesn’t corner the whole market for the discerning music lover. In the nation’s capital, Hatav Hashmini, a music store that began more than a decade ago by importing CDs at cheap prices and has since grown into a massive chain with its own music label, recently opened a massive, 340-square-meter store. They claim it’s the largest music CD and DVD store in Israel.
According to a report in The Jerusalem Post, the store features ten listening stations that allow visitors to sample virtually any CD in the store, one of them in a room dedicated entirely to classical music and opera.
During the grand opening last Thursday, Hatav Hashmini’s stated commitment to “music you can hold in your hands,” as opposed to downloadable MP3 files, was in strong evidence, as several big names on the label’s roster assembled for brief impromptu concerts.
Hatav Hashmini’s label boasts such artists as pop performers Micha Sheetrit, David Broza and Shlomo Gronich, as well as jazz saxophonist Danny Zamir. The store promises to host its artists for small-scale performances in the future. The venue is certainly spacious enough.
While it’s unlikely to replace the Ozen in my heart as THE place to shop for music in Israel, I’ll be certainly giving Hatav Hashmini every chance to prove itself in the coming months.
Emma Shapplin crashes and burns in Haifa
Usually, when touring musical acts make their way to Israel, they rise to the occasion and put on a stellar show. Just look at Paul McCartney, Faith No More, Leonard Cohen – despite the lofty price tags, they delivered with consumately professional concerts that left audiences thrilled.
But there’s another kind of concert thrill – the train wreck. Even more surprising is the train conductor in this case – French pop soprano Emma Shapplin, who launched a world tour last week with two shows, in Haifa and Tel Aviv.
Now we’re not talking about someone who you’d expect to be erratic, like grungy Pete Doherty. Shapplin has a distinguished track record of dazzling performances featuring spine-tingling vocals. Her 2003 show in Caesarea was so outstanding that she released it as a live album and DVD.
However, she’s had a few years between albums, and when I talked to her a few weeks ago, she seemed somewhat hesitant about rushing out to perform her new album Macadam Flower ahead of time.
“When we received the offer to do these two shows, I thought, ‘well, it’s a bit premature. The album isn’t finished yet, we haven’t started rehearsing,’” she said.
It turns out that Shapplin’s apprehensions were well justified. According to a review in The Jerusalem Post of the first night’s show by my colleague, Amanda Borschel-Dan, Shappelin was like a deer in the headlights.
Aside from obvious technical difficulties with microphones, etc., Shapplin was confused, forgetting words and musical phrases, once to the point of restarting a number twice and waving away the accompanist who was playing “a different arrangement… why did Shapplin decide to perform a series of classical soprano arias when she was obviously under-prepared?
While the concert-goers were justifiably unsatisfied with the performance, I found myself thinking that it was refreshing to see someone screw up in public. We’re so conditioned to perfection that any blemishes are considered to be horrible miscues and an affront to art. On the contrary, false starts, flubbed cues, and unreached notes are performance art at its most riveting.
Shapplin may have had an off night, or maybe she’s fallen off of her pedestal and is just showing her humanity. Rather than booing her, audiences should be embracing her flaws as well as her talent.
Hang the blessed DJ
Infected Mushroom - number 12 on the Top 100 DJs list.
British dance music bible DJMag knows what to call it, and being the experts they are, their readers recently came out with its ‘Top 100 DJs’ list, and there are six Israelis on it! No British boycott of Israel going on here.
Just in case you care, the top three DJs in the world are Armin Van Buuren, Tiesto, and David Gueta. But our interest piqued already by the number 12 slot, awarded to Israel’s very own Infected Mushroom.
According to the magazine, the long-time duo – Erez Aizen and Amit Duvdevani – are the most likely to cross over to the mainstream, thanks to their album ‘Legend of the Black Shawarma’, which featured vocal contributions from Perry Farrell of iconic rock band Jane’s Addiction.
“We are continuing to play the Infected sound, which is continually evolving and building,” Amit explains. “‘Legend of the Black Shawarma’ was almost three years in the making and it encompasses rock, trance, breaks, psychedelic and many more styles,” he says.
Stopping in a number 43 was Ofer Nissim, the Tel Aviv-based DJ who helped bring Dana International to stardom. Besides a residency at the club Forever, Nissim has earned a worldwide reputation for performing at gay pride parades that take place across the globe.
“This year I’ve been finishing a double album with Mya Siman Tov, a singer songwriter. I also did a remix for Whitney Houston, which was very special,” he says of the latest in a long line of high profile collaborations that include Barbara Streisand and Christina Aguilera.
To see the complete list of the top 100 DJs and who the other four Israelis are, check out DJmag.
Here’s a clip of Infected Mushroom performing at a festival in Rio.
Oud v’Rikoud
The annual Jerusalem International Oud Festival has become the leading event of its kind on the ethnic music calendar. Now in its tenth year, the festival, which kicks off next week, lasts for 16 days and includes shows in both Jerusalem and Nazareth. But those of us fortunate to have attended last week’s “Boogie Nights” dance party got a special sneak preview.
Boogie is a Jerusalem institution. A twice-monthly feel good free movement extravaganza, Boogie is a place where you don’t have to worry about your dance steps or dance partner. You just flail your arms around, hop up and down and twirl to the beat which emphasizes energetic world music rather than the disco or trance found at more traditional dance clubs and bars.
This edition of Boogie featured an hour-long Oud performance in a separate room. The tight group of three actually performed on guitar, darbuka and a strange breathy sounding flute. The crowd lounged on yoga mats arranged haphazardly across the floor. Many clutched cups of Chai tea, a popular Boogie beverage – in keeping with its international flavor.
The oud is a strange-sounding (to Western ears) kind of Middle Eastern lute. It owes it origins to the Arab world but there are now practitioners from Turkey, Spain, India, and Greece. To mix it up even more, the opening night of the official festival next week features veteran Israeli rockers Nikmat HaTraktor (The Tractor’s Revenge) performing oud and electric guitar versions of Jewish piyutim (medieval poetry).
As for the funky rhyming name of the Boogie special evening – “Oud v’Rikoud” – the latter is Hebrew for dance. I wonder what they’ll call the next Boogie in two weeks which features another eclectic special event: an African drumming workshop and performance. I’ll most certainly be there and let you know.
Tel Aviv battle of the bands
Filed under: A New Reality, General, Israeliness, Life, Music, Pop Culture
It was an opening line that did not forebode well.
“You picked an interesting night. Almost all the entries are metal,” said Bryan Steiner, greeting me at the bar of the Barby club in Tel Aviv Sunday night.
Steiner was referring to the 16 musical acts which were set to perform two songs a piece in the hopes of going on to the Israel finals of the Global Battle of the Bands Challenge. Steiner, the head of Blue Sun Records, along with promoter Carmi Wurtman and Barby owner Shaul Mizrahi, organized Israel’s participation in the event for the first time.
Over a dozen qualifying heats have taken place in October and November throughout the country with scores of Israeli bands vying to head to the finals taking place on Wednesday. The Israeli champion then goes on to the world finals in London on December 13, competing against the finalists from 36 other countries, with the winner receiving an artist development package worth $100,000.
Along with Sderot-based musician and producer Avi Vaknin, and Ziv Goland, a musical arranger for Dana International, I was asked to be one of the three judges for the event. However, unlike the high-profile American Idol model of in-your-face judging, we were allotted comfortable back-of-the-room tables and a scorecard to rate the entries from 1-20 and to provide written constructive criticism.
Battle of the bands have taken place for as long as there have been rock groups. Even in the mid-1960s, local high school bands would perform against each other at sock hops and on TV talent shows. One of the highlights of my college education in the late 1970s in Boston was attending the annual Rock & Roll Rumble held at the venerable punk club The Rat, where young hopefuls would wield “guitars like switchblades” in order to lay claim to the title of Beantown’s best band.
Turns out that not much has changed in 30 years. Despite the digital age of downloads and the gradual disappearance of CDs, the fading on the radio of guitar-based rock & roll in favor of studio wizardry hip hop, pop and dance music, and music in general receding as a number one priority among the social network-crazed youth culture, there’s still a lot of guitar slingers out there – of all ages.
The Barby was swarming with a mostly rambunctious teen audience – many of them bused in from Modi’in, where a good number of the competing acts hailed. The high school-aged entries, which made more than half of the 16 contestants stood in contrast to the half-dozen or so ‘older’ bands of adults, including one bass player who was even older than me, and a singer-songwriter, Yasmine Ariel who was in an advanced stage of pregnancy.
According to Steiner, amateur and professional musicians were eligible to sign up for the Challenge, with the only requirements being the ‘bands’ consist of two to eight members, all the music is live with no playbacks, and the songs are original compositions and not cover versions.
Regretting the fact I neglected to bring ear plugs, I took my seat, ready to face Steiner’s prognosis of a head banging evening. And indeed, there were a good number of acts – like Rockweiler (guess their genre) and Behind the Sun that looked and sounded like they learned everything about music in the back seat of Wayne and Garth’s car in Wayne’s World. Long hair flying in circular motions to the thunderous beats, they were parodies of a genre invented to be a parody.
Yet, there was something fresh and innocent about it nonetheless, as if despite the years of watching music videos and playing RockBand to get their moves just right, these kids were feeling music’s primal power and creating their own magic, no matter how derivative.
A big revelation for me was how musically tight and well-rehearsed every band was – this was no ‘hey, let’s enter the competition and write a song’ operation. While the lineup was male-dominant, women were represented by two high school bands featuring female singers of the Pat Benatar variety, a third with an incredible 16-year-old female lead guitarist, and the aforementioned Yasmine.
Particularly eye-opening were the school-age musicians, who must have been playing since they were kids and waiting for this day. It was a little sad that they’ve had to latch on to the music that their parents grew up with and many of their moves and riffs are mechanical regurgitations, but it was uplifting to see that another generation has caught the rock and roll bug.
When each band played, some singing in English some in Hebrew, its fans stormed to the front of the stage holding signs, pogo dancing and moshing in a show of solidarity. The audience also received scorecards, and like on American Idol, it was their vote, not the judges which ultimately determined the winner.
My top pick was a young four-piece band called Hageveret Harishona who performed sparkling guitar power pop with precision three-part harmonies . But chosen by the majority and headed to the finals on Wednesday is Spitfire 07, one of the female-led Modi’in high school bands. They were a ‘great for a high school band’ entry, and I gave them high marks for their spunky, arena rock performance and stage presence, while citing their lack of originality.
But they were unsurprisingly the audience favorites, with singer Meit Botton, dressed in Joan Jett black and reaching all the vocal shredding high notes, darting around the stage in various ‘rock chick’ poses.
While it’s unlikely they’ll be headed to London for the international finals, you can be sure the members of Spitfire 07 will keep their victory on Sunday night close to them for the rest of their lives. Even though there’s nothing new under the sun, rock & roll is still alive in Tel Aviv.
Israel to get its own MTV
Filed under: A New Reality, General, Music, Pop Culture, Technology
MTV's Bhavneet Singh: Israel is the South Korea of the region.
While cable viewers here have had easy access to MTV Europe and VH1 Europe for many years, the days of a full-fledged MTV Israel are imminent, according to MTV Europe’s Managing Director and Executive Vice President Bhavneet Singh, who was in recently town for talks with the company’s partner in Israel – Ananey Communications, one of the country’s leading cable channel developers.
Singh is a big fan of Israel and it’s tech ingenuity and sophistication. In fact, two years ago, Israel became the first country to launch an online MTV – MTV.co.il - without having a TV channel to go along with it.
“Technology-wise, you guys are like the South Korea of this part of the world, in terms of your broadband penetration and your consumption of media,” Singh told me in a meeting in Tel Aviv. “You’re known as a people and culture of being ahead of the game – whether it’s ICQ or any number of new tech companies coming out of here. That was one of the reasons giving us the confidence to say, hey, an online introduction to MTV is a nice way to do this.”
The MTV Israel free-on-demand web site features many of the staples located on the MTV Europe TV channel that cable subscribers can view, like The Hills, Cribs and Pimp My Ride, as well as local programming like celebrity news show Mehadura.
According to Ananey’s Udi Meron, an Israeli TV pioneer who founded the Kids Channel back in the early days of cable TV, the popularity of the site has convinced Singh and his colleagues that the time is ripe for a Sabra MTV music channel to go along with the more than 50 distinct MTV channels around the world.
“Everyone finds their own balance – we want to add of course the element of Israeli music and Israeli lifestyle. For Israel it’s very important, internally and externally, because one of the things we want to do is make MTV Israel a window to the world, and to the MTV network,” said Meron.
While Israelis like Becky Griffin, Eden Harel and Jason Danino-Holt have served as MTV Europe VJs, and on November 5th in Berlin, Ninet Tayeb will represent Israel at the MTV television network’s Europe Music Awards, Meron sees a unique opportunity in MTV Israel for the country’s virtues to be exported to youth around the world, through original programming that Singh said was of sufficient quality to be dubbed and sent to MTV affiliates everywhere.
While neither Singh or Meron would commit to a target date for the channel’s launch, Singh said that it would “be sooner than later.”
Walking with the King – Israeli style
Filed under: A New Reality, Food, General, Israeliness, Music, Pop Culture, design
Even my wife can't resist the magnetism of the King.
An oasis of kitsch from the King right off the Neve Ilan turnoff on the Tel Aviv-Jerusalem highway, the Elvis Inn is now an Israeli landmark that should not be missed – especially if you want to go home with an Elvis portable alarm clock or a postcard of Elvis as the baby Jesus, or a Bedouin nomad. It’s the kind of place that John Waters or David Lynch would have thought up for a scene for one of their movies.
The Elvis Inn is actually a restaurant – a garish, American-deco diner at that. You can’t miss the place, with the huge Jurassic Park-like statue of Elvis outside. But rather than serving the traditional cheeseburger and fries – after all, this is Israel – you can get your fries with pargiyot, kebab and any number of grilled Middle Eastern delicacies.
[The music is a taped loop of greatest hits by the King, which I'm sure the staff must be sick of hearing by now. The gift shop is chock full of the Elvis memerobilia described earlier, and the wall and ceilings are jam-filled with photos of 50s Elvis, pre-army Elvis, movie-star Elvis, Las Vegas Elvis, and wall murals of the King's numerous movie rolls. Then there are the statues and figurines throughout the restaurant - magnets for photographs. We went home with an Elvis Inn mug, and a few pilfered Elvis sugar packets.
A visit to the Elvis Inn shouldn't be missed - for a combination of Israeli and American pop culture excess at its most peculiar. Even better if you can make it on the annual commemoration of Elvis's death, when the cadre of Israeli Elvis impersonators converge for an evening of sneering and attempts at Israeli accented "Jailhouse Rocks."
Anka ticket angst
Israel is back on the rock concert map. We’ve seen some truly big names of late: Madonna, Leonard Cohen, Paul McCartney. But there have also been some visits by musicians slightly lower down on the food chain. A few months ago, it was Gilbert O’Sullivan, best known for the saccharine pop ditty Alone Again Naturally. And now it’s…Paul Anka.
I shouldn’t be so gloomy. A lot of people are big fans of the Canadian-born Anka. He has two shows scheduled during his tour of Israel. The 68-year-old contemporary of the Beatles (ouch, that’s a little hard to say in the same sentence) had a string of hits in the 1960s and by the end of that decade had sold more than 100 million records.
He’s been in the news again lately when it was revealed that he would receive half of the songwriting royalties for Michael Jackson’s new song, “This is It.”
I even thought it might be fun to attend his upcoming mid-November concert in Tel Aviv. But the prices, ranging from NIS 340 to NIS 1,000 ($92-$271), set me back in my chair: that’s an amount I usually tuck away for last minute emergencies like leaking roofs and car repair.
Madonna, McCartney and Cohen also had ticket prices in the same ballpark. One more lucid reminder that we’re not in the heartland of America where you can see a top performer for under $10. I have the ticket stubs to prove it. Pink Floyd: $8.75. Queen: $9.00.
Silly me. Like Anka, I was stuck in the 60s and 70s myself. Concert prices around the world today rival what we pay in Israel. Those ten-buck tickets have gone the way of the electric typewriter and the rotary phone. Even entrance to see oldies hit makers Three Dog Night now starts at $50!
Fortunately, ticket prices for Israeli bands are still relatively down to earth. You can see rockers Bet HaBubot or Erez Lev Ari for under NIS 100 ($26). Or catch them at a festival like Jerusalem’s annual Chutzot HaYotzer arts and crafts extravaganza where a full performance from a top star – Ivri Lieder, Yehudit Ravitz, Aviv Gefen have played in the last year – is included in the ticket price of NIS 40 (just over $10).
Try seeing Donny Osmond for a price like that!
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