Nostalgia Sunday – Joseph Bau’s studio
Filed under: Art, General, History and Culture, Nostalgia Sunday, Pop Culture
Tel Aviv, like many cities that are cultural centers, houses many small gems, collections of artwork which are part of modern Israel’s history and should be preserved. Intending to do a write-up on the work of painter, graphic artist, animator, author, poet and publisher Joseph Bau (1920-2002), I logged into the Joseph Bau webiste only to discover that the studio where Bau worked for 40 years may close due to financial difficulties.
The modest studio-cum-museum includes paintings by Bau, commercial advertisements, and corporate logos, including those of “Eskimo Lemon” popsicles, Shekem (the IDF equivalent of the PX), and Israeli movies including: “Kazablan”, “Salah Shabati” and others.
Bau’s remarkable story – some of which was dramatized in the film Schindler’s List – began in Poland. He was a student at the University for Plastic Arts in Krakow when World War II broke out and Jews were sent to Nazi concentration camps. During his internment at the Plashow Concentration camp, Bau fell in love with another inmate, Rebecca. They secretly married when Bau smuggled himself into the women’s camp – their love story inspired a scene in the film.
Bau never lost hope or a sense of humor and it was art that saved his life. At Plashow, and then Gross-Rosen, he worked as a draftsman, lettered signs in Gothic type while secretly forging documents and identity papers. According to his online biography, he saved 400 lives in the process. Bau was later transferred to to Oscar Schindler’s camp where he stayed till the end of the war. Bau then returned to Krakow to complete his university studies and work as a newspaper graphic artists and illustrator.
In 1950 Bau immigrated to Israel with his wife and oldest daughter. According to his biography, “He was recruited to a secret unit of the intelligence corps that dealt with technical covert operations that utilized his talent for art and graphics. Later he was transferred, together with other Intelligence corps personnel to a similar unit that was formed and worked as part of the intelligence community belonging to the Prime Minister’s office. Joseph never spoke of these activities.” One may assume however, that his talent as a forger was also not overlooked.
In 1956 Bau opened his studio in Tel Aviv, where he painted, worked in commercial art (including designing the famous Amisragas logo) and animation, as well as authoring and illustrating a number of humorous books – even one about his experiences during the Holocaust.
Bau’s daughters, Hadasa and Clila, want to continue keeping this special little museum alive to commemorate their father’s life, artistic achievements, and his contribution to the State of Israel. They have started a petition requesting the city of Tel Aviv provide support.
Nostalgia Sunday – Lebanon 1982
Filed under: General, History and Culture, Life, Nostalgia Sunday, War
They’re not happy memories. However, it seems appropriate, on the eve of Waltz With Bashir’s possible Oscar win, to glean the National Photo Collection for photos of the 1982 Lebanon War that capture something of the movie’s essence.
Sidon – IDF soldier on patrol near Ferris wheel. Photo: Shmuel Rahmany
Zaharani area – burning fuel depot. Photo: Beni Tel-Or
Tyre – Ancient Roman ruins with modern buildings in background. Photo: Yaacov Saar
Sidon – Returning to the marketplace. Photo: Yaacov Saar
Central Lebanon – Two Israeli soldiers take a forbidden dip in a stream. Photo: Yossi Roth
Tel Aviv Fairgrounds – Israeli citizens visit a display of a captured PLO arsenal. Photo: Avraham Zaslavski
Tel Aviv – Minister of Defense Ariel Sharon presents objectives at a press conference. Photo: Yaacov Saar
Sidon – Movie poster: “The Land That Time Forgot“. Photo: Yoel Kantor
Nostalgia Sunday – Yemenite Embroidery
Filed under: Art, design, General, History and Culture, Nostalgia Sunday, Profiles
Back in the early Sixties, most kids’ mothers wore frilly cocktail aprons to entertain. Not my Israeli mother. Hers looked like this.
And her miniskirts and pantsuits looked like this.
My mother, a singer of international folksongs, had a great collection of gowns. Many were created at Esther Zeitz, a Jerusalem house of fashion that employed a team of Yemenite seamstresses that sat, day in and day out, stitching threads of silver and gold onto splendid garments. Who needed jewels when you had something like this bedecking your neck?
Wearing Yemenite embroidery was very cool among Israeli women who came of age during the 1940s and 50s. This dress was made for my mother when she was a teenager during the 1948 War of Independence.
In the Sixties, after the 1967 war and the reunification of Jerusalem, she combed the Old City looking for a velvet jacket with Bedouin embroidery to wear over a black velvet gown. She found one, too.
In the early Seventies, she scored some Bedouin-style embroidered garments from the Arab Women’s Union of Bethlehem, an embroidery cooperative.
But my favorites will always be the Esther Zeitz outfits. As I recall it, Zeitz – whom I remember as a large woman with swollen arms – closed down in the Eighties when she became too ill to manage. It would be nice to find out more about what happened to the workshop, which was located at the junction of Ben Yehuda and Bezalel streets – I think it is a hairdressers’ today.
My sisters and I wore many of these garments during the Go-Go Eighties. Today, however, they are fragile – the polyester fabric is forever but not the cotton threads that hold down the metallic threads. We are not sure what will happen to this collection, and so decided to document the clothes that, for us, are part of a happy memory.
Nostalgia Sunday – Blue Box Redux
Filed under: Environment, General, History and Culture, Israeliness, Nostalgia Sunday, Politics, Pop Culture
Here’s a fun fact: Israel is the only country in the world that entered the 21st century with more trees than it had at the beginning of the 20th century. For years, tree-planting in Israel was synonymous with the Jewish National Fund, which itself was synonymous with the small blue coin collection tin. Some of these are now on display at the Israel Museum in Jerusalem, as part of an exhibit entitled The Map of Israel as Illustration, Artwork, and Icon.
The exhibit, curated by Orna Granot, looks at the map not in geopolitical terms but as a graphic element used “to increase the viewer’s familiarity with the land [of Israel] and to strengthen love of the land in experiential, educational, and aesthetic ways”.
Etzleinu be-Khitah Alef (In Our First Grade) by Shlomo Kadesh, Illustrations: Shlomo Cohen; Ever Publishers, Jerusalem, 1952. Courtesy of The Israel Museum, Jerusalem
Of course, the Blue Box is a wonderful icon in itself. So much so that Keren Kayemet-JNF, has re-launched the beloved “pushke” after a 30-year absence. This time though, says KKL-JNF world chairman Efi Stenzler, rather than land acquisition, the coins collected will go to furthering Israeli environmental conservation projects. As part of the relaunch, Stenzler has been distributing Blue Boxes to dignitaries of note, including Pope Benedict XVI, who plans to visit Israel in May.
Given the season – political, not meteorological – Israeli party candidates have been also been getting on the KKL-JNF bandwagon. Benjamin Netanyahu today planted one of 7 million saplings KKL-JNF has planned for the next several years. And here’s Ehud Barak with his 2009 model pushke.
The KKL-JNF website has a lovely timeline of Blue Boxes throughout history – it’s in Hebrew only but definitely worth a look.
It’s also a good opportunity to plant a tree in honor of Tu B’Shvat and to take a moment to consider Israel’s green future and how to best “strengthen love of the land”.
Nostalgia Sunday – Elections in Israel, Part 2
Filed under: General, Israeliness, Nostalgia Sunday, Politics, Pop Culture
Elections are coming up on February 10th and now seems the appropriate moment to take a look at how we do it here. The Ministry of the Interior has very efficiently issued a guide in four languages (including English), the Ministry of Foreign Affairs has put out a comprehensive backgrounder, and the Knesset has posted an explanation of the Israeli electoral system. But these dry documents can’t possibly convey how much fun voting is here – the bright colors, the block letters, little pieces of paper and funny TV ads.
Okay, that sounds a bit infantile, but look how cute the inside of an Israeli voting booth is! Every one of those letters represents a different political party. So you go in, put a little “petek” in the envelope, seal it, go outside and slide it into the ballot box. And no matter how bad you want to, you mustn’t put in more than one! However, if you are sorely tempted, you can stuff your pockets full of ballots from funny parties you would never vote for, and give them to your friends later in the day, just for laffs.
This past summer, the Ministry of the Interior issued a tender for computerized voting in November’s municipal elections. That’s as far as we’ve gotten with introducing IT into the electoral system and, given the computer crashes that plagued both Likud and Labor’s primary races – which left Silicon Wadi with egg all over its face – that’s as far as we’re going to get right now. But, even without computers, look how far the system has advanced in 60 years.
Okay, maybe not so much.
These two photos are part of a wonderful WZO slide show entitled Celebrate 60 Years with Israel – “Fulfilling the Dream”. Click here for Nostalgia Sunday – Elections in Israel, Part 1.
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