Stage mom

November 13, 2009 - 10:01 AM by · 1 Comment
Filed under: Art, General, Immigrant Moments, Israeliness, Movies 

Our director, Eran Riklis

Our director, Eran Riklis

I became a stage mother this week. Through a series of amusing connections and events (my babysitter’s younger sister has a starring role in an Israeli television show, Room Service, and the casting director asked her mother if she knew any babies in Jerusalem who could be cast in a new Eran Riklis film), my boys are two of the babies in Eran Riklis’s latest movie, Human Resources.

Set in Jerusalem, and based on the 2004 A.B. Yehoshua book, The Mission of the Human Resources Manager, it’s about a human resources manager in a big Jerusalem bakery during the dark days of the second intifada. A Russian worker dies in a suicide bombing attack and when no one claims her body, he has to take her back to Russia.

Filming is taking place in Jerusalem and Romania, and we were part of the Jerusalem filming, which was set in the ghost-town like atmosphere of the Schneller Army base, in the Geula neighborhood. Our boys’ film father was Mark Ivanir, a Russian-born actor who came to Israel in 1972 and now splits his time between Israel and the U.S. Eran Riklis, the director and a big bear of a guy, was genial enough with the babies, although a tad confused about what 12-month-olds are supposed to be doing. He wanted them to crawl, but also sit quietly in an infant seat; start working at 4:30 in the afternoon, and go strong until 8 pm. And when I questioned whether a 12-month-old sitting in an infant seat perched on a chest was realistic (and safe), I could see the word balloons next to their mouths, saying “Overprotective American mother!”

We worked it out, the boys cooperated for the most part, and now we just sit tight and wait for the movie premiere, with Ziv and Lev’s names in the credits. And it’s probably safe to say that I’ll never do this again, but you never know.

Brother less big now

October 6, 2008 - 8:23 AM by · Leave a Comment
Filed under: A New Reality, Art, General, History and Culture, Politics 

Big Brother from 1984 and not from IsraelIsraeli culture is one of the nation’s most important exports in terms of public relations, and the Foreign Ministry has been active in sponsoring international tours for Israel’s most exciting performers or some time.

ISRAEL21c has been reporting on the phenomenon for several years now:

“We have found that bringing Israeli musicians to the United States is an exciting and effective way of engaging students, said Aviva Raz Schechter, Minister-Counselor at the Embassy of Israel in Washington, DC.

“It provides us with the opportunity to highlight Israel’s cultural achievements and to show that Israel is more than just a conflict. Many American students are tired of debating about the Arab-Israeli conflict; music serves as a great way of connecting Jewish and non-Jewish young people with the country. We are particularly excited to be hosting Idan Raichel, who is not only a wonderful performer but also an example of the diverse society of which Israel is so proud,” Schechter told ISRAEL21c.

Rapper Shaanan Streett of Hadag Nachash has even publicly expressed dismay at the warmth with which his act has been received by local bureaucrats, despite the ensemble’s well-known proclivity for lyrics which are often critical of the homeland. This, despite the Foreign Ministry’s insistence that sponsored artists sign agreements nicknamed “Big Brother Contracts,” dictating that if they talk trash about Israel while on tour, they obligate themselves to pay the government back.

Regardless, Hadag Nachash and many other edgy acts have participated in performance and speaking tours to North America and Europe with governmental backing, spreading good Israeli cheer to the Diaspora, where identification with sabra culture can go a long way. And now, tours like these are getting easier to set up, with the Foreign Ministry having announced recently that the Big Brother Contracts are, like the real 1984, history. It’s good timing, coming just months after the government was criticized for unveiling new plans to keep an extremely close watch on its populace.

Quoting from a story in the Hebrew Yediot Acharonot tabloid, the McClatchy newspaper group’s Checkpoint Jerusalem blog recently celebrated the move, which was apparently orchestrated by authors A.B. Yehoshua and Meir Shiloh and championed by Arye Mekel, deputy director of the ministry’s Cultural and Scientific Affairs Department.

 

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