Nostalgia Sunday – Bialik Street cultural center

October 3, 2010 - 9:40 PM by · 1 Comment
Filed under: design, General, History and Culture, Nostalgia Sunday, Profiles, Travel 

Bialik Street is one of Tel Aviv’s little gems. Once an important location for the homes of not only Israel’s national poet, Haim Nahman Bialik, but also that of artist Reuven Rubin and Tel Aviv’s first city hall, the street turned dingy and dumpy for many years. It began picking up in popularity in the 1980s when Shenkin Street became trendy and now plans are afoot to turn the whole street into a center of Hebrew culture.

It’s a fitting tribute to Bialik whose house at No. 22 has, since 1937, served as a museum. It’s intention, as the Bialik Association put it was as “[a] national home, a house of the people of Israel in Eretz-Israel and in the Diaspora. Let us make this house into a storeroom for the soul of Hebrew culture; let us never extinguish the light which the poet lit in it! The house will serve as a repository for all the things connected to him and his work; a storeplace for Hebrew folklore, a gathering place for Hebrew writers and a center for Hebrew culture.”

In addition to archives, a library, paintings, furniture and many other items connected to his various activities as a poet, publisher, literary figure and Zionist leader, the house itself is something to see. It was built by architect Joseph Minor in 1925. Minor along with his teacher Alexander Baerwald, was part of a group of architects inspired by the Art and Crafts movement that wished to develop Hebrew architecture. In the case of Bialik House, the result was a building that combined western construction with romantic notions about “Orientalia” – towers, domes, pointed-arch windows and ceramic tiles designed by Zeev Raban, the foremost decorative artist of the day.

In his fine essay about Bialik House, author Yonatan Dubosarsky wrote, “The institutions which had been headed by Bialik located some of their activities in the house. Thus the Hebrew Writers Association was active in Beit Bialik and from there published its monthly magazine, which still exists, Moznayim (“Scales”). The Committee for Language and the Association of Friends of the Hebrew University in Tel Aviv met there. Similarly, courses were organized on behalf of the Vaad Leumi (the pre-state national leadership committee) for groups of youth leaders from the United States. Beit Bialik quickly became a tourist attraction for visitors to Tel Aviv. Teachers began to bring kindergarten and school children – a tradition that has continued to this day, and which over 70 years has brought the majority of Israels children to the house.”

Even if you’re not an Israeli schoolchild, a visit to Bialik House and the street’s other cultural institutions is a delightful way to spend an morning or an afternoon. Plus, once you’re done sightseeing, you can cool down with some iced coffee at Cafe Bialik (No. 2 on the street).

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Nostalgia Sunday – Sali Ariel’s Tel Aviv Bauhaus

March 29, 2009 - 5:27 PM by · 3 Comments
Filed under: Art, General, History and Culture, Nostalgia Sunday, Travel 

As Tel Aviv’s centennial gets underway and the weather warms up, more and more festive events will be held to celebrate the occasion. One of these happened last night, when the Rozin Center Gallery opened the season with an exhibition of works by painter Sali Ariel.

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Originally from the States, Sali was a long-time Jerusalemite who made the move to Tel Aviv over a decade ago. As she got to know her new home, she noticed it was changing before her eyes. “I started seeing the Ramat Gan business district going up and all the big tall buildings on Rothschild Boulevard and while I don’t think that’s bad, I was afraid we would forget how Tel Aviv looked. I also felt inevitably, Tel Aviv had to change but I didn’t know if it was for better or for worse. I wanted to document it for people in the future so they would know how Tel Aviv was in our time.”

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Ariel feels she looked at Tel Aviv as an outsider, “because I had just moved from Jerusalem, Tel Aviv seemed to have a bright happy fun look about it. And maybe for that reason I didn’t see the trash and crumbliness, because I was comparing it to the serious and the grayness of Jerusalem, which I also love and think is beautiful, but very different.”

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Ariel started out wandering Yarkon Park and trying to sketch the natural surroundings. “But whenever I started to paint trees there were buildings peeking out form behind. And when i started to paint buildings, shockingly, a lot of what i saw was green leafy stuff — they was sort of inseparable, the two.”

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Ariel was not a Bauhaus aficionado when she started working on this theme. “I was just doing buildings that looked nice to me. And then i was offered an exhibit at the Bauhaus Center and have had several exhibits since then. It also turns out that many of the building that I like are Bauhaus — but not all. Some of them are the older buildings in what’s called oriental or eclectic style.”

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More works can be viewed at Sali Ariel’s website and the current exhibit will be on display at the Rozin Center Gallery in Ramat Aviv until April 22.

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Nostalgia Sunday

July 13, 2008 - 11:02 PM by · 3 Comments
Filed under: General 

I’ve been thinking a lot about The Blaumilch Canal lately. Maybe it’s the heat, maybe it’s summer ennui, or maybe it’s simply because they showed this classic Israeli film on cable a few weeks ago. I dunno, everything lately seems a bit Blaumilchy and it keeps flashing through my mind.
Blaumilch Canal
In the movie, written and directed by the late and very great Ephraim Kishon, a escapee from a lunatic asylum bcomes enamored of a jackhammer and, one bright day, starts digging up Allenby Street. By mid-morning, there’s a big pile of dirt jamming traffic and bothering the neighbors whose complaints spur the municipality into misguided, malicious action. Unwilling to admit they know nothing about the project, two warring city offiicals begin assisting the unplanned project in an ever-escalating show of one-upsmanship, sending in more workers, earth movers and police guards.

Meanwhile, the crazy man with the jackhammer continues steadily onwards toward the beach. When he finally reaches the Mediterranean, the floodgates open, water rushes up Allenby and Tel Aviv is declared “The Venice of the Middle East” at a grand ceremony presided over by a myopic mayor and his self-serving flunkies – who of course take all credit for having planned, overseen and executed the thing. Little do they know that in the meantime, jackhammering has commenced over at Kikar Malchei Yisrael (today’s Rabin Square).

Wikipedia has a nice summary of the movie. It’s also fun to watch because of the mod fashion, groovy soundtrack and arty editing. Check out the opening scenes on YouTube (or watch the full version):

Of course, like all works of satire, Blaumilch is intended as a parable, in this case about bureaucracy and politics. The frightening part is that, even though the movie is almost 40 years old, it still rings true today. And not just in Israel. The film’s international title was “The Big Dig”. As I’m from Boston – home of the 20 year long project of the same name which was supposed to take half that time – I can only shake my head in amazement.

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