Foto Friday – Jacob Ackerman’s Birds of Prey
Filed under: Art, Environment, Foto Friday, General, Travel
Whether in Israel or abroad, Jacob “Yaki” Ackerman spends days and nights in the heart of nature, lying in wait to capture its magic and power.
Patient and alert, he spends long hours for that perfect split second in which to freeze the action of a body in motion. Perhaps that is why he relates so strongly to birds of prey.
Ackerman’s work will be part of a group art show about Israel’s predatory birds opening next week at the Man and the Living World Museum in Ramat Gan.
This unique museum, situated within the Ramat Gan National Park, features a variety of natural history exhibits as well as a center for educational activity and cultural events.
Ackerman’s extensive portfolio includes images from around the world but his passion is nature photography, and birds in particular. He’s participated in numerous wildlife photography exhibitions and his website contains some magnificent interactive photo albums that should not be missed. Enjoy.
Foto Friday – Edward Kaprov helps splice the ends
Filed under: Art, Foto Friday, General, Pop Culture, Religion
Splicing the Ends is the name of a new art exhibition that opens next week, November 28th, at the Amiad Center in Old Jaffa. Over the past two years, Amiad has emerged as a unique center for the arts in Jaffa’s newly revived Flea Market area, now a hot nightlife spot for Tel Aviv’s young bohemian set.
According to the organizers, the exhibit celebrates the winter season festivals for the three major monotheistic religions — Hannuka, Christmas and Eid ul Fitr — by “telling the story of mankind through the different religions… exploring the themes of immigration, living as an individual and as part of a community, and how one relates to oneself and to one’s environment.”
The show features works by over 30 painters, sculptors and photographers , including Edward Kaprov. A veteran immigrant to Israel from the former Soviet Union, Kaprov has worked with Israel’s biggest newspapers including business daily Globes, Haaretz and Yedioth Aharonot. His features have been published by National Geographic, GEO, and Russian Newsweek as well as other publications.
His work on display in “Splicing the Ends” deals with how religion informs day-to-day life in Israel, whether in the army…
…at a soup kitchen for hungry children…
…motivating political protest…
Kaprov’s work ranges from news and commercial photography to personal projects, including a series on Shamanism in Israel.
Splicing the Ends runs from November 28 through December 21 at the Amiad Center. A portion of the proceeds from the exhibit will go to ILAN, Israel’s Foundation for the Handicapped.
Foto Friday – The Israel Photography Exhibition
Filed under: Art, Foto Friday, General, History and Culture, Pop Culture
POV, a retrospective of new works by Israel’s leading photographers/curators took place this past week at Tel Aviv’s newest landmark, the refurbished old train station structure in Neve Tzedek (pictured left). For those who missed the show (and that includes your humble scribe), POV has provided video portfolios for the group, as well as individual photographers. A portion of these works are presented in this Foto Friday column, with more to follow. Enjoy! And for those who can’t wait, visit the POV website and YouTube channel.
Show Portfolio
Moshe Shay
Yuval Tebol
David Perlov
Another Madonna controversy in Israel
Filed under: A New Reality, Art, General, Israeliness, Religion
We just can’t seem to get enough of Madonna here – even when we’re not referring to the singer. The latest ‘Madonna’ controversy broke on Thursday when a Tel Aviv art exhibit depicting various female Palestinian suicide bombers as the Virgin Mary holding baby Jesus caused an uproar.
The exhibit at Beit Sokolov, which houses the Israeli Journalists Association, was quickly taken down following an outcry from the families of those killed or wounded in the attacks, as well as by organizations that represent terror victims.
According to media reports, the exhibit, which featured the work of local artists Galina Bleich and Liliah Check, consisted of a series of paintings of the women – some with halos around their heads – rendered to look like Renaissance-era portraits of Catholic saints.
The artists defended their work on Thursday, with Bleich telling Ynet that she didn’t understand how the exhibit was misconstrued as glorifying suicide bombers.
“I don’t understand how this turned into an insult to bereaved families. We came actually to emphasize the exact opposite. The baby in Madonna’s hands is in danger. This really needs to disturb people. It isn’t just an Israeli problem, but a global one. Therefore, we chose Madonna, who is a symbol of Christianity.
“This issue came up for me after I personally experienced a trauma when I was next to a terror attack on French Hill in Jerusalem. Ever since, I couldn’t stop thinking about it. It isn’t at all a political issue, but a personal issue. We are trying to ask how a woman, who is meant to love and give birth, became a source of hatred and murder. I don’t at all go into politics. But because we are such a political country, everyone is trying to figure out if we are left-wing or not,” explained Bleich.
“I hope it will all be okay this evening. If it impacts people so much, this means that the message is getting across. We wanted to think together with the audience about what is happening, and, apparently, now they are reflecting on it. Modern art can speak in a free language without a framework. Modern art is actually a language that shakes up the subjects that are painful to us. It’s not only flowers in a vase. Art asks questions and doesn’t provide answers,” said Bleich.
However, not everybody agreed with that assessment. The Jerusalem Post reported that Dalit Levy, whose 17-year-old stepdaughter Rachel was killed in a suicide bombing as she shopped at the Supersol supermarket in Jerusalem’s Kiryat Hayovel neighborhood on March 29, 2002, along with the store’s security guard, Haim Smadar, 55, arrived outside Sokolov House on Thursday afternoon with an Israeli flag draped over her shoulders, and placed plastic sheeting on the sidewalk.
“You want art?” she asked a group of reporters who had gathered around her. “Here’s art!” she said, before spilling a can of red paint next to a photograph of her stepdaughter and two memorial candles. “This is the blood of our children!”
Almagor, The Association for Terror Victims in Israel, also issued a stern response to the exhibit, and threatened to take legal action if the portraits were not taken down.
“Nahum Sokolov [for whom Sokolov House is named] is rolling in his grave today,” Almagor’s chairman, Meir Indor, told The Post.
There was no word on what the real Madonna, sightseeing in Jordn yesterday, had to say about her namesake’s controversy.
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