Nostalgia Sunday – Stitching in the Seventies
Filed under: Art, General, History and Culture, Israeliness, Life, Nostalgia Sunday, Pop Culture, design
Israelis are a crafty lot – and not in the way you think I mean. Israelis – particularly women – have always liked their handicrafts. These days, every neighborhood boasts a hobby store. Decoupage seems to be the most popular craft of the moment, putting pretty flowered napkins at a premium and shooting gilt paint prices through the roof.
But in every generation there will be needlepoint. Back in the Seventies, gobelin or tapestry needlework, was all the rage. There was far less television to watch and so an afternoon coffee could be quietly — or noisily — passed with good women friends, all of whom came equipped with a plastic bag filled with thick needles, French embroidery thread and canvas printed with the most horrifically sentimental romantic prints, also imported from France.
During our summer visits to see family, my Israeli mother refused to fall prey to the fad though she did help me as I (inspired by those books about young American frontier girls who walked 5 miles to school each day and then embroidered samplers by candlelight) made my own childhood attempts at needlework. We would sit around her cousin’s Rivka’s living room as Doda Dvora, Doda Tzila and cousin Rivkale all stitched away.
Doda Tzila — who was by far the most prolific — bestowed upon our family a version of the lady seen above left, in a heavy gold frame. I absolutely loved it and was quite disappointed to discover that it was a very common and popular print that hung in many an Israeli household, as were the fruit bowl and the cute kittens gobelins that we later received.
There was definitely an Eastern European aspect to the whole needlework thing as Israelis of Russian and Polish origin looked to all things French as the height of culture, while others hearkened back to the Austro-Hungarian Empire (it turns out that Hungary is also a big producer of horrifically sentimental romantic gobelin canvases). Despite the fact that everyone’s flats were furnished in Danish modern-style furniture, you never knew when a tapestry-covered chair or ottoman was suddenly going to turn up.
But it’s very likely that the local Bedouin and Palestinian embroidery was also a big influence. For instance, my Israeli mother was definitely an embroidery groupie, and spent hours and days scouring the Old City shuk for just the right black velvet embroidered jacket and long black dress. She also patronized the Bethlehem Arab Women’s Union (BAWU), which has been running an embroidery cooperative since 1968. More about BAWU and 16 other local artisan projects can be found at the Sunbula fair trade organization website.
There are some young Israeli designers who also resonate to the nostalgia vibe, such as bag designer Shiri Hyman of boutique Fabrica in Tel Aviv’s trendy Gan HaHashmal, whose gobelin-inspired pieces are sold in London boutiques as well as close to home.
Foto Friday – A Walk Down Nachalat Binyamin
Filed under: Art, Blogging, Foto Friday, General, Life, Travel, design
Every Tuesday and Friday, there’s a crafts fair on Tel Aviv’s Nachalat Binyamin Street.
There’s no end to the coverage about it, because it is a very good event that has managed to maintain high standards of quality for over a decade and a half — no mean feat, as so many other so-called crafts fairs start out in promising fashion, then sink quickly into a mire of cheap crap from India and China. But the TA municipality keeps close tabs the Nachalat Binyamin artisans and artists, many of whom staff their own booths.
Most visitors pay more attention to the products than the sellers, as is only natural when shopping. And that’s where the photographer’s eye comes in.
Photographer Jessica D. Korman, a recent new immigrant to Israel, took a stroll down Nachalat Binyamin and — aside from snapping shots of the wares for Tchochkes.com, where she is a regular contributor, she also took a look at what goes on around the booths.
Korman, who studied interior design, says she looks for architectural elements wherever she goes, “to present a different view of an object or event.”
“I like photographing everyday scenes,” Korman says, “always looking for a different angle or perspective to the mundane or even the ‘ugly’ side of things.”
A former picture editor for publications such as Scholastic, Star Magazine and Woman’s World Magazine, Korman now works as a Visual Communications Consultant in Jerusalem. “What I love about [photo editing] is that it is the marriage of written content with images. The proper choice of image will enable one’s work to have the greatest impact. Besides, what better job is there than getting to look at pictures all day?”
There’s inspiration everywhere. More of Korman’s work is available on her website, The F Stops Here.
Foto Friday – Puppet Festival
Sometimes, a set of photos comes across one’s desk that is so arresting, little introduction is needed. I might be prejudiced — as a graduate of the Eleanor Boylan puppetry summer camp in Newton, Mass (1970 and 71) — but judging from the photos, the program for the 12th International Puppetry Festival looks just great. Details below but first, see these:
The festival mascot.
Traditional Indian puppets meet video in “The Magic Box”, a co-production between Israel’s Teatroni and the Holon Theater Center.
Award-winning Italian puppeteer Laura Kibel and her one-woman show, “Gone With The Feet”.
Above, a dramatization of Max Velthuijs’ fantasy, “The Painter and the Bird” (Photo: Giora Shlomi). Below, an exhibition of wooden puppets from the Czech Republic. (Photo: Jan Rosner)
Also on exhibit: puppets from the show “Avenue Q”. The festival will run from July 22-25 at the Holon Theater Center, 13 Remez St. Holon — a suburb of Tel Aviv that is cleverly reinventing itself as Israel’s capital of niche museums and the arts — and tickets are reasonably priced for adults (NIS 50 to 70) and kids (NIS 25-50). Activity workshops available for kids, too. To order: 972 3 502 1555.
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