All bets off for Eurovision
Filed under: A New Reality, General, Israeliness, Life, Music, Pop Culture
Eurovision time is almost upon us again, and as usual, Israeli hopes are running high. The on-line betting sites are listing our entry into the massively popular but unbearably kitschy song contest – Harel Skaat’s “Milim” as one one of the favorites to win the competition taking place on Saturday night in Oslo.
The boyishly good-looking 29-year-old Skaat was the runner-up of the second season of Israel’s version of American Idol, Kohav Nolad (A Star is Born) in 2004. A native of Kfar Sava, Skaat emerged from the competition with a built-in fan base which has helped his two albums, a self-titled 2006 debut and last year’s Figures, released and sold exclusively through the Aroma coffee shop chain, go gold (in Israel, that means, more than 20,000 copies sold).
While most entries in Eurovision – which launched the career of Abba back in the 1970s – are full of buffoon-like dancing, outlandish costumes, and garish music, Skaat’s approach is sophisticated and subdued. Featuring just a piano player and two background singers, he told interviewers in Oslo he wanted the song to be focus of his performance.
“This song touches me deeply. My grandfather died just days before the selections in Israel, and this gives me a very deep feeling, I feel that I’m really singing this song for him. He wanted me to participate in the Eurovision Song Contest for five years, and then he got to hear that I was going to take part in the national selection before he passed away,” Skaat said, referring to the televised contest in March in which Skaat was chosen by Israeli TV viewers.
Whatever way the results turn out, just like last year’s pairing of Ahinoam Nini and Miri Awad, Israel’s entry to Eurovision is a class act.
Nostalgia Sunday – Mike Brant
Filed under: General, History and Culture, Israeliness, Music, Nostalgia Sunday, Pop Culture
It would be an understatement to say that the American influence in Israel is huge. TV shows, movies, music, fashion, fast-food and retail chains… let’s face it: all that’s missing is Target and WalMart. And Cosco. But back in olden times – the 1950s, 60s and 70s – Europe held far more sway over Israeli cultural tastes.
One Israeli pop singer who truly made it in terms of international success was Mike Brant. Who?, you ask, and I answer: Shame on you for not knowing about one of Israel’s most famous exports of all time! A sex-on-legs power balladeer, Brant achieved international fame in the early 70′s, mainly in France, which is why folks from the US never heard of him. But Quebecers did – take a look at this crowd of Canadians as they sit, transfixed, while their idol sings his biggest hit from 1970 “Laisse-moi t’aimer” (“Let me love you”).
Can you believe those pipes as he hits the high notes. Unbelievable. And he makes it looks so easy. No wonder that when French actress Sylvie Vartan caught Brant’s act in a Teheran night club (yes, that Teheran), she immediately invited him to come and meet French producer Jean Renard, who had made Johnny Halliday into a star. And if you don’t know who Johnny Halliday is, then again, shame on you and click here.
Brant’s string of hits included “Qui Saura”, a French version of “Que Sera” that José Feliciano had performed at the San Remo Music Festival. And if you don’t know what the San Remo Music Festival is, I have no words. How have you managed to evade these major cultural milestones till now? Just click here.
Play that song for any Israeli woman aged 45 and over, and she’ll begin singing and weeping at the same time. Why cry? Because Brant’s life ended tragically, rock star style, with a descent into drugs and a purported suicide in 1975 at the age of 28 when fell or jumped from a Paris hotel room window. 
Supposedly, his Haifa grave is a site for fan pilgrimages. I don’t know, I haven’t been. What is for certain is that he is greatly revered by Israelis of a certain age who recall the European cachet that Moshe “Mike Brant” Brand imparted to us. So close your eyes, lean back, clear your mind of all previous prejudices and repeat after me: “I love Europop… I love Europop,” and enjoy.
A long biography of Brant, written in pidgin English but with great photos, can be found here.
Nostalgia Sunday – Eurovision and A-ba-ni-bi’s lasting legacy
Filed under: General, Israeliness, Life, Music, Nostalgia Sunday, Pop Culture
The 53rd annual Eurovision song contest takes place this week! Oh, joy! And if you live under a rock, or in a country where they have better things to do, and don’t know about this annual Europe-wide musical extravaganza, here is a brief explanation.
This year, Israel will be represented by singers Noa and Mira Awad, and while we wish the duo well, their entry, a message song called “There must be a better way”, isn’t the sort of light fare that has put Israel up top in years gone by.
Israel won Eurovision for the first time in 1977, with the entry A-ba-ni-bi, sung by Izhar Cohen and Apha-beta. It was a great moment in Israeli pop culture history, when we proved to the world we could be a nation like any other, crafting light, catchy Europop ditties, wearing tight outfits and dancing to the disco beat. (When Israel won Eurovision again the following year, national euphoria hit heights not seen since the Six Day War).
Over the years, it transpires, A-ba-ni-bi has developed a following, particularly among those nations whose agenda includes proving to the world they could be a nation like any other, crafting light, catchy Europop ditties, wearing tight outfits and dancing to the disco beat. Here we present a variety of renditions, starting with a camp version in Thai:
Chinese Mandarin:
Iceland’s 2008 Eurovision Song Contest entrants Euroband:
Netherlands:
A trance version in Spanish:
And of course, the good old original:
Izhar Cohen is still around, still performing and even appeared in a commercial for the Israel Postal Service. For more versions of A-ba-ni-bi, check out NME and the EuroCovers blog. And check out the official Eurovision YouTube site for more videos, past and present.
Nostalgia Sunday – Dizengoff 99
Filed under: General, Israeliness, Movies, Nostalgia Sunday, Pop Culture
Thirty years ago, apparently, the film Dizengoff 99 hit Israeli movie theaters and apparently I was there. I distinctly remember going to see the movie but, beyond that, have very little recollection about what it was actually about. You would think this might indicate a forgettable film. But no. In fact, Dizengoff 99 has just been released on DVD, with additional material and interviews about what is being touted as an Israeli cult flick.
Hmmm… I do remember there was a menage a trois with Gali Atari, Anat Atzmon and my beloved Gidi Gov… and so does everyone else, I guess, because that’s what comes up when you Google it and seems to be what this alleged cult is all about. Well, you didn’t get many scenes like that in Israeli movies, back in those days, so it must have made an impression.
What is impressive is the cast and crew. Aside from Gov, who was making a transition from singer to singer-actor, and Atari, who subsequently made an about-face back to the safety of the recording studio, there is Atzmon, a legendary beauty and every Israeli man’s fantasy as the dream girl in Lemon Popsicle (a true Israeli cult film). Also worth noting: this was one of the first films produced by Arnon Milchan.
The director, Avi Nesher, has made some truly great Israeli films such as The Secrets, Turn Left at the End of the World, and another true Israeli cult film – Ha-Lahaka, (also: Sing Your Heart Out), about the life and times of an IDF entertainment troupe. Dizengoff 99 may not be his finest work, but it does serve to document Tel Aviv nightlife in the late 70s and the soundtrack features the era’s great: Yehudit Ravitz, Zvika Pick, Arik Sinai, David Broza, Danny Litani, Dori Ben-Zeev, Yitzhak Klepter, Ricki Gal, Yigal Bashan and of course, Gali Atari, fresh from her 1979 Eurovision “Hallelujah” win.
By the way, there really is a Dizengoff 99 — today it houses the Bauhaus Center.
Dynamic duo Ahinoam Nini and Mira Awad
Filed under: coexistence, General, Israeliness, Music, Pop Culture
Mira Awad
Ahinoam Nini
Perhaps that’s why the Israel Broadcasting Authority committee which choses Israel’s performer to represent the country at the annual pop schlock fest Eurovision Song Contest, has selected a Yemenite Jew and a Christian Arab – Ahinoam Nini and Mira Awad - to perform at the May 16th show in Moscow.
Although purported to have no political influences, the much derided song contest has always blown hot and cold with Israel – depending on whether we were the good little children of the Oslo era or the big bad guys who invaded Lebanon, the West Bank, Gaza, take your pick…
So what better antidote to the anti-Israel blues than to package a beautiful liberal singer with a beyond Israel’s borders reputation like Nini (known in the rest of the world as Noa) and a well regarded Israeli Arab singer and actress like Awad.
At least the two are highly regarded professionals, and a few notches above the Israel Idol caliber of our recent reps.
The two have collaborated previously on a Middle-Easternized version of the The Beatles’ “We Can Work it Out”. Whatever song they end up choosing, the coexistence message that Nini and Awad will likely offer is bound to captivate the spangle and glitter polyanna crowd at Eurovision and the millions of bored Europeans and Asians who gather around the continent to view and vote.
Count this bored boy in.
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