Nostalgia Sunday – Mercedes Sosa
Filed under: Art, General, History and Culture, Music, Nostalgia Sunday
Amidst all today’s Sukkot holiday hoopla came the sad news that folksinger Mercedes Sosa, “The Voice of Latin America”, was dead. Sosa, who for over four decades, influenced singers from Joan Baez to Shakira, was a champion for social justice and a great friend to Israel.
She was a great friend to Israeli singers, too. Her last tour here was just a year ago, in October 2008, when David Broza took the stage with her during those performances.
She also collaborated with Argentinian-born singer-songwriter Shlomo Idov, who spoke movingly about her on Israel Radio today, as well as Aviv Geffen.
Last year, Israel’s Channel 2 ran an item about the long-standing relationship between Sosa and Israel. The video (in Hebrew only) can be viewed here.
The Argentinian community in Israel is planning a memorial celebration of the life of Mercedes Sosa on at 8:00o pm on Tuesday, October 6, and invites people to bring guitars and other instruments, food and friends to Park Herzliya (near the Seven Stars Mall). They, as do we all, will always remember Sosa in her heyday, performing one of her best-known songs, “Gracias a la Vida” (”Thanks to Life”).
Foto Friday – Pearls of Music at Azrieli contest
Filed under: Foto Friday, General, History and Culture, Pop Culture
With so many top-flight orchestras and musicians, Israeli is a feast for lovers of classical music and folklore That population is well-served by Pninei HaMuzika or Pearls of Music, a non-profit organization dedicated to showcasing Israeli and international artists – in variety of musical styles: baroque, classical music, liturgical music, jazz, Klezmer, Irish, Balkan, gypsy, country and other folk music, flamenco, as well as children plays — through festivals and concert series. Pearls of Music selects unique venues, from Jerusalem’s Ticho House, churches, monasteries, and caves, to, in this case, the stark modernity of the Azrieli Center, which will serve as the backdrop for a unique photo competition.
The contest, which was just announced this week, offers music loving photographers the opportunity to participate in a competition that combines music with the urban landscape of the Azrieli Center Amphitheater, an open-air venue located on the third floor rooftop of the Azrieli Mall, at the base of the Center’s towers.
This year, the Amphitheater will host a series of festive summer concerts, presented by Pearls of Music, kicking off on June 11 with Celtic Fire, a celebration Irish music and dance – yes, that’s them looking like Riverdance — followed on June 20 by the Latino-Argentino Ensemble featuring Natan Formansky who, together with Israeli tenor Yotam Kohen, will perform Latin American songs on acoustic guitars and and exotic instruments.
“Brazilian Carnival” an evening of Samba, Salsa, Bosa Nova, Lambada and Capoeira, happens on July 4; an evening of Viennese dance music – from the waltz to the polka – with harp, flute and orchestra on July 24; Israeli folklore on August 13; Jazz, Blues & Swing on August 29; and others to be announced. The series of concerts runs from June 11 to September 25, and tickets can be ordered via the Pearls of Music website.
Now, as to the competition. Check out this trippy pic. Clearly there is plenty of room for improvement and I guess Photoshopping is allowed!

It is sponsored by the Geographical Photography College, Azrieli Malls and Pearls of Music. Participating photographers will be allowed to enter eight of the 11 concerts, with entry limited to six photographers per performance, to take pictures before during and after the show. (Two photographers per performance will be GPC students). Photos will be judged for quality and originality, as well as fidelity to the competition theme “Pearls of Music at Azrieli”. The winning photos will go on display in October at the Azrieli Center gallery. Winners will receive a free subscription to the 2010 Pearls of Music summer concert series, and runners up will receive a course in photography at the GPC.
Interested photographers should contact Giora Shalmi of the Geographical Photography College at: giora@gpc.co.il.
CREDITS: The top two photographs come courtesy of Wikimedia Commons. The latter two are courtesy of Pearls of Music.
Sheffield Sends Coexistence
As previously discussed on these pages, the summer of 2008 is shaping up as a respectable time for Israelis to see international rock shows. Acts like Dinosaur Jr. and Cypress Hill have already wowed us. Bjork and Leonard Cohen might have canceled their planned Israel concerts, but The Breeders, Macy Gray, Low, Air and even Snoop are reportedly on their way.
While many A-list names are certainly being increasingly associated with concerts here, the biggest trend seems to be for nostalgia acts – classic rock brand names that play small auditoriums and rock clubs in Europe or the US but come here and succeed in selling out amphitheaters full of Baby Boomer sabras. Hence Ra’anana gigs last week from Air Supply as well as Blondie. Deep Purple and Blood, Sweat and Tears have also recently announced that they’re headed this way in the coming weeks.
And now wall-of-white-man’s-soul pioneer Joe Cocker has entered the ring as well. The Woodstock-bred performer has just two non-North American shows booked for this summer: an environmentalism-themed festival in Germany and a coexistence-themed festival in Gilboa, set to take place on August 26 through 28.
The appropriately titled Gilboa Coexistence Festival’s program consists mostly of outdoor nature activities, seminars and Jewish and Muslim folk music performances. A Bible-Koran quiz and the two-day “Gilboa Women’s Jeep Challenge” are also on the program. According to The Jerusalem Post,
“This will be one of the biggest events ever put on in Israel promoting coexistence,” says Daniel Atar, head of the Gilboa Regional Council, “In the Gilboa, coexistence is our reality and proves that a way of life of brotherhood and equality forms a solid foundation for cooperation, understanding and mutual recognition that we believe can be established in all of Israel and beyond.”
Cocker’s last performance in Israel, at Jerusalem’s Sultan’s Pool in the fall of 1994, was certainly fun. Even if we’re talking about someone who hasn’t broken new ground since the early Seventies, how can one not enjoy mildly enthusiastic (alright – somewhat spastic in the Belushi tradition), real-time renditions of classics like “Summer in the City” and “With a Little Help from My Friends”?














