Nostalgia Sunday – Sallah Shabati
Filed under: General, History and Culture, Immigrant Moments, Movies, Nostalgia Sunday, Pop Culture
If you don’t know the film Sallah Shabati then go out and rent it right away because you don’t know Israel. Yes, that’s how strongly I feel about it. Go, go, go out and get it now.
Okay, are you back? Good. Without giving away anything of the plot, Sallah is a film about the immigrant experience and although Israel has changed since 1964 when the movie was made, there are certain constants of Israeli society that humorist Ephraim Kishon put his finger on 44 years ago which still remain the same – bureaucracy, cronyism, societal divides, JNF tree plantings – all the things from which great humor is derived.
The film stars Haim Topol – who went on to have a successful international careers, as well as a very young Arik Einstein, an equally young Gila Almagor and a host of other well-known Israeli actors. It won two Golden Globes and was nominated for an Oscar in the Best Foreign Film category.
Now, the Cameri Theater is reviving the highly successful musical version of Sallah, which first premiered at Habima in 1988. It promises to be good. Here’s the movie version of Sallah’s big number, “Mashiach HaZaken.”
And a clip from the 1988 stage version starring Zeev Revah.
Israeli Emmys
Now Israel can boast about a new kind of successful export after “In Treatment,” based on the Israeli series “B’tipul,” took home two Emmy awards on Sunday.
The popular psychodrama series scored Emmys for actress Dianne Wiest, who won the award for best supporting actress in a drama series, and Glynn Turman received the Emmy for guest actor in a drama series.
“B’tipul,” which follows a psychoanalyst through his week, was created by Hagai Levi, who is now one of the executive producers of “In Treatment.”
The role of the therapist in “In Treatment” is played by Gabriel Byrne, while Israeli actor Assi Dayan (yes, the son of general and the black eye patch-wearing Moshe Dayan) played the role in the Israeli series. Wiest’s role was played by Israeli grande dame Gila Almagor in “B’tipul.”
The two Emmys are definitely a coup for Israeli television, and, as Israeli producer Zafrir Kohonofsky commented to me recently, perhaps a new version of Zionism, as this kind of exported culture allows Israel to show what life is really like over here.
I’m not sure “In Treatment” can do that, as the American version is an Americanized take on an Israeli concept. But one of Kohonofsky’s shows, “A Touch Away,” also recently purchased for American development by HBO, is a Romeo and Juliet story dealing with the relationships between a Russian immigrant family and an ultra-Orthodox one living in the same apartment building in the Tel Aviv suburb of Bnei Brak.
Kohonofsky told Ynet “certain changes” in the show’s original format “will naturally be made… but ultimately the American version will be very similar to its original counterpart.”
Those changes will remain to be seen, but I’m looking forward to seeing what they do with Bnei Brak.











