Afraid to go to sleep – Paranormal Activity hits US cinemas
It’s the surprise hit of the year. Audiences across the US are afraid to go to sleep after watching a horror film made by Israeli filmmaker Oren Peli. The low budget movie reportedly cost just $11,000 to produce, but reviewers are calling it the most scary film ever made. Think Blair Witch Project, only worse.
The movie, Paranormal Activity , was filmed in 2006 over a seven-day period. It was set in Peli’s own suburban tract home with a crew of just three including his then-girlfriend Toni Taylor, and best friend (also Israeli) Amir Zbeda.
The film was released in fewer than 200 theaters, but raked in $7.1 million in one weekend – a record for a limited release film.
The film, about a couple who think their house is haunted, has now been picked up by Paramount Pictures . It bills itself as “the first-ever major film release demanded by you.”
Peli is not your usual blockbuster movie type director. He dropped out of school at 16, to set up his own software company. Three years later he immigrated to the US with Zbeda and began work developing animation and video game programs.
He got the idea for the film when he moved into a new home and found the sudden quiet of suburbia disturbing. The house was new and still settling, and at night he could hear the house shifting and groaning.
He wrote a script, fixed up his house a bit, held a casting session in Hollywood, and hey presto, shot a movie. He edited it on his own home PC, and then submitted it to Screamfest – a boutique festival for cult horror in LA.
The film was released in September with limited late-night showings at just 13 college towns, but the ball started rolling and the film became a web sensation on Twitter, YouTube, and Facebook. Critics also jumped on board giving excellent reviews.
Originally Paramount planned to reshoot the film with better-known actors, but studio heads – including Steven Spielberg – decided it could stand as it was, with only a few tweaks.
Peli is now onto his next movie, a thriller called Area 51, but in the meantime Paramount Pictures releases Paranormal Activity at cinemas across the US on Friday. Get ready for some sleepless nights.
Waiting to see if Bashir wins
Filed under: Art, General, History and Culture, Movies, Pop Culture, War
Anticipation is already building in Israel today, as people across the country wait to discover if the Israeli movie Waltz with Bashir will win an Oscar at tonight’s ceremony in Los Angeles.
Certainly things look pretty good for the critically acclaimed movie by Ari Folman. It’s already won a string of prestigious awards – from a Golden Globe to an award for the best documentary from the Writers Guild of America, and gambling Web sites are predicting that the Israeli contender for the best foreign film is the most likely of all the entries to win the award.
Critics have also indicated that the movie, which deals with Israel’s invasion of Lebanon in 1982, is their favorite for the prize as – aside from its moving and powerful story – it also breaks new cinematic ground. Critic David Carr, from The New York Times, urged readers to “Put a nickel on Bashir, and keep it there.”
We all love it here when an Israeli film (musician, artist, model etc. etc.) makes good. Last year hopes were high for Beaufort, another moving anti-war film also set in Lebanon, but it was pipped at the post.
For all the success of Folman’s movie, however, there are rumblings of discontent amongst certain sectors of society who feel this, the eighth Israeli Oscar contender, but the one most likely to win, is an anti-Israeli movie.
Folman’s effort to piece together his memories as a combat soldier of the Lebanon War, and particularly the massacre at the Sabra and Shatilla refugee camp in Beirut, are regarded as unjustly demonizing Israel.
Stung by the criticism, one of the film’s backers, the US Foundation for Jewish Culture and Makom, has put out a study guide explaining why the film isn’t unfair. The guide is based on Israel’s own investigation into Sabra and Shatilla, gives the history of the battle, and charts its aftermath.
But why does criticism of Israel’s actions or behavior in a war have to be anti-Israeli? Folman’s film, like Joseph Cedar’s Beaufort before it, is a profound attempt by a soldier to examine a very painful part of his own history and that of his country. It’s soul-searching at its deepest level. And what it reveals about Israel is that this soul searching, doubt and regret is a fundamental part of who we are.
In the media, particularly during the Gaza war, but in many wars and conflicts, Israel is often portrayed as a militaristic nation that doesn’t really give a damn about who gets hurt. Films like Beaufort, and Waltz with Bashir, may not be easy viewing, but they show a completely different truth.
Golden Globe for Waltz with Bashir
Bashir still dancing
Waltz with Bashir gets Oscar nod and Beirut screening
Filed under: A New Reality, Art, History and Culture, Movies, Pop Culture, War, coexistence
In the same week that saw Waltz with Bashir finally secure a place on the short list of movies nominated for the Best Foreign Film Academy Award, the movie was finally shown to the public in Beirut, where much of it takes place. Waltz with Bashir is officially banned by Lebanon, but through a loophole, a Lebanese multimedia war archive organization called UNAM was able to show the movie to a modest crowd of 90 at a “private party,” a piece in Variety reports.
Already a bona fide marvel for the innovative manner in which it melds documentary footage with animated dreamscapes, Ari Folman’s tour de force garnered acclaim on the international festival circuit before winning a Golden Globe earlier this month.
As of late last week, Bashir is one of five finalists for that Oscar, nominated alongside offerings from Austria, Germany, France and Japan, with the winner to be announced at the award ceremony on February 22. Following Beaufort’s nomination a year ago, Bashir making the short list of Foreign Language Oscar nominees means that two Israeli movies focusing on the IDF’s role in Lebanon have received Oscar nods in as many years.
Folman himself is generally skeptical that Bashir is in a position to make a difference in the world, telling the international press on numerous occasions that he sees war as an unfortunate fixture. On the other hand, now that his movie has screened in Beirut, he has modified his stance. “In principle I don’t believe movies can change the world, but I’m a great believer in their ability to form small bridges,” Folman told Haaretz in the context of that newspaper’s coverage of the Beirut screening.
Small bridges of coexistence and peace indeed. The movie has already been shown in Ramallah and may soon receive a modest theatrical release in the gulf states, according to the Haaretz article, and last Saturday’s screening in a Beirut suburb was not simple to arrange either. The UMAM organization’s leadership is proud to have accomplished what it has with the Israeli movie:
“The subject of this film is a crucial moment in the history of Lebanon, for the history of Israel, for the history of the Palestinians, and for the history of Palestinian life in Lebanon,” UMAM founder Monika Borgmann told Haaretz.
“At some point every state must deal with its violent past and the sooner it does so the better. That’s why I think this movie should be shown,” she said.
“Yesterday, my phone didn’t stop ringing…everyone wants a copy of the film,” she said. “I think it comes out on DVD in March. The next day, it’s going to be pirated all over Lebanon.”
The filmmakers’ visit
Filed under: A New Reality, Business, General, Movies, Pop Culture
There’s plenty of buzz surrounding the possibility that Israeli animated documentary Waltz with Bashir may end up nominated for a Foreign Language Oscar. The official Academy Award nominations won’t be announced until January 22, leaving us plenty of time to focus instead on how the movie has already helped a great deal with putting Israeli film on the international award map, and how the global movie industry and Israel have been going had-in-hand more and more.
Israeli lawmakers took major steps towards enabling Hollywood “runaway production” here this past summer.
More recently, studio mogul Jeffrey Katzenberg organized for Ben Stiller, Chris Rock and Jada Pinkett Smith to attend the Netanya premiere for Madagascar 2, whipping local fans and less local media outlets into a celeb-feeding storm.
And last month, William Morris Agency senior Motion Picture Department executive David Lonner teamed up with the Los Angeles Jewish Federation to bring several top movie execs to Israel to check out the scene here. Lonner organized a similar trip two years ago, but this time, he managed to bring big names like director Peter Sollett (Nick and Norah’s Infinite Playlist) and producers Nathan Kahane (Juno), Darren Star (Sex and the City) and Roger Birnbaum (The Sixth Sense, pictured). The Jerusalem Post recounts the experience in detail, with coverage including these moguls’ advice for how ambitious Israeli filmmakers can make it big overseas:
“They’ve got to cross the bridge,” says Kahane. “Make films inside the system, like some directors from Mexico have recently – Alejandro Gonzalez Inarritu, Alfonso Cuaron and Guillermo del Toro. They came and conquered Hollywood, then they can go back and work at home again. But they’ve branded themselves in the international community. It creates the opportunity to grow and play in the A-game. And it broadens the conversation on cultural identity outside the film industry as well.”
Birnbaum agrees, saying, “If they want to be competitive in the world marketplace, they need to tell stories that are more universal and make movies that work all over the world.”
Moreover, the trip included visits to tourist hotspots, a Q/A session at the Tel Aviv Cinematheque and a meet-and-greet dinner with local industry luminaries like actress Ronit Elkabetz, the Oscar-nominated writer-director Joseph Cedar and writer Etgar Keret. “They were very eager, very knowledgeable, a talented and diverse group of people,” Kahane says of the group.
Nostalgia Sunday – Sallah Shabati
Filed under: General, History and Culture, Immigrant Moments, Movies, Nostalgia Sunday, Pop Culture
If you don’t know the film Sallah Shabati then go out and rent it right away because you don’t know Israel. Yes, that’s how strongly I feel about it. Go, go, go out and get it now.
Okay, are you back? Good. Without giving away anything of the plot, Sallah is a film about the immigrant experience and although Israel has changed since 1964 when the movie was made, there are certain constants of Israeli society that humorist Ephraim Kishon put his finger on 44 years ago which still remain the same – bureaucracy, cronyism, societal divides, JNF tree plantings – all the things from which great humor is derived.
The film stars Haim Topol – who went on to have a successful international careers, as well as a very young Arik Einstein, an equally young Gila Almagor and a host of other well-known Israeli actors. It won two Golden Globes and was nominated for an Oscar in the Best Foreign Film category.
Now, the Cameri Theater is reviving the highly successful musical version of Sallah, which first premiered at Habima in 1988. It promises to be good. Here’s the movie version of Sallah’s big number, “Mashiach HaZaken.”
And a clip from the 1988 stage version starring Zeev Revah.
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