Waltz with Bashir snubbed in LA
Filed under: A New Reality, Art, General, Movies, Pop Culture
Conventional wisdom unequivocally asserted that the only Best Foreign Language Film Oscar nominee to hold a candle to Waltz with Bashir was France’s The Class – but that even that movie was hardly as technically groundbreaking or thematically poignant as Israel’s nominee. Regardless, The Academy instead gave the award to Japan’s Departures (pictured in all of its smirking glory).
Bashir therefore joins a long list of Israel-made Oscar losers that includes Sallah Shabati and HaShoter Azoulay.
When Joseph Cedar’s Beaufort failed to take home a statuette a year ago, the director was gracious and stoic, putting the situation in the proper context. He even went so far as to give The Jerusalem Post the ultimate cliché Oscar loser soundbyte:
[Cedar] seemed to keep his hopes in check at a symposium prior to the ceremony, saying he was “happy just to have been nominated. I’m not even thinking about winning.”
….”We have shown that Israel can make very good movies,” Beaufort actor Eli Eltonyo told the cheering crowd [at a post-Oscars party], “and we will prove it again next time.”
Next time was earlier this week, but Eltonyo’s prediction didn’t come to fruition – at least not as fully as he might have hoped. But Bashir’s creative team was hardly as gracious as Beaufort’s was. The jPost caught up with director Ari Folman after the show:
“It’s a game,” Folman said, shrugging. “It’s 500 anonymous voters, and I don’t know a single one.”
He said he planned to drink the night away before getting on a plane home to Israel.
“I’ll be glad to be done with all of this traveling, though I am going to miss it in a few months – but right now I just want to go home and be with my kids,” Folman told the Post.
Back here in Israel, the rest of the Bashir team was even more disappointed, as Haaretz notes:
Nitzan Roiy, in charge of composing and special effects, stayed in his chair.
“It’s horrible,” he said. “When we came here we were sure we had it in our hand. It’s a shame.”
…. “We were very confident before the ceremony,” said Neta Holzer, one of the animators who joined the Israeli delegation to Los Angeles. “We didn’t talk about winning, but we had a very good gut feeling. Everyone is disappointed, but we’re getting used to it.”
With so many great movies continuing to come out of our local industry, we can all comfort ourselves by saying, “There’s always next year.” At least that;s what the good sports among us will say.
Waltz with Bashir gets Oscar nod and Beirut screening
Filed under: A New Reality, Art, History and Culture, Movies, Pop Culture, War, coexistence
In the same week that saw Waltz with Bashir finally secure a place on the short list of movies nominated for the Best Foreign Film Academy Award, the movie was finally shown to the public in Beirut, where much of it takes place. Waltz with Bashir is officially banned by Lebanon, but through a loophole, a Lebanese multimedia war archive organization called UNAM was able to show the movie to a modest crowd of 90 at a “private party,” a piece in Variety reports.
Already a bona fide marvel for the innovative manner in which it melds documentary footage with animated dreamscapes, Ari Folman’s tour de force garnered acclaim on the international festival circuit before winning a Golden Globe earlier this month.
As of late last week, Bashir is one of five finalists for that Oscar, nominated alongside offerings from Austria, Germany, France and Japan, with the winner to be announced at the award ceremony on February 22. Following Beaufort’s nomination a year ago, Bashir making the short list of Foreign Language Oscar nominees means that two Israeli movies focusing on the IDF’s role in Lebanon have received Oscar nods in as many years.
Folman himself is generally skeptical that Bashir is in a position to make a difference in the world, telling the international press on numerous occasions that he sees war as an unfortunate fixture. On the other hand, now that his movie has screened in Beirut, he has modified his stance. “In principle I don’t believe movies can change the world, but I’m a great believer in their ability to form small bridges,” Folman told Haaretz in the context of that newspaper’s coverage of the Beirut screening.
Small bridges of coexistence and peace indeed. The movie has already been shown in Ramallah and may soon receive a modest theatrical release in the gulf states, according to the Haaretz article, and last Saturday’s screening in a Beirut suburb was not simple to arrange either. The UMAM organization’s leadership is proud to have accomplished what it has with the Israeli movie:
“The subject of this film is a crucial moment in the history of Lebanon, for the history of Israel, for the history of the Palestinians, and for the history of Palestinian life in Lebanon,” UMAM founder Monika Borgmann told Haaretz.
“At some point every state must deal with its violent past and the sooner it does so the better. That’s why I think this movie should be shown,” she said.
“Yesterday, my phone didn’t stop ringing…everyone wants a copy of the film,” she said. “I think it comes out on DVD in March. The next day, it’s going to be pirated all over Lebanon.”
Golden Globe for Waltz with Bashir
The innovative retro-animated documentary Waltz with Bashir won the Golden Globe Award for Best Foreign Film yesterday in California, and director Ari Folman did not miss the opportunity to reflect on the poignancy of the victory from the podium.
It’s a big deal when any Israeli film wins a big international award, regardless of how many it won in the past or how much buzz there is over the possibility of an Oscar nod when the nominations are announced in about two weeks.
But with an ongoing conflict in Israel’s south making for a parallel media war battling over the opinion of the world’s citizens, an Israeli victory in Hollywood becomes even more significant – especially given the movie’s introspective soldier’s experience narrative.
The Jerusalem Post today sums up Folman’s acceptance speech thusly:
Folman thanked his team and his wife and dedicated the award to the babies born to his team members over the four years during which the film was made.
Expressing his wish to see peace arrive in the war-torn Middle East, Folman said he hoped one day these babies will regard the film and the war it describes as an old video game with which they had nothing to do.
Sadly, war’s status as hell is a timeless theme, one which speaks to the Israeli experience far more than it ought to, and The Hollywood Reporter managed to get Folman talking about it even more behind the scenes, and thankfully, with a tinge of optimism:
Folman was a man of few words backstage but did say he is sad that his film, about conflict in the Middle East, is relevant in light of the current Gaza incursions. “Unfortunately, this film is always relevant,” he said. “It has only one major statement (one of anti-war). It was relevant two years ago (when I began making it), and it’s still now.” Folman said he hopes for the best for that part of the world. “I am very optimistic (for peace), or I wouldn’t have done this,” he said. “It’s a matter of leadership: A time will come that both sides will have clever leaders who will work it out.”
Image courtesy fuxoft from Flickr under a Creative Commons license.
The filmmakers’ visit
Filed under: A New Reality, Business, General, Movies, Pop Culture
There’s plenty of buzz surrounding the possibility that Israeli animated documentary Waltz with Bashir may end up nominated for a Foreign Language Oscar. The official Academy Award nominations won’t be announced until January 22, leaving us plenty of time to focus instead on how the movie has already helped a great deal with putting Israeli film on the international award map, and how the global movie industry and Israel have been going had-in-hand more and more.
Israeli lawmakers took major steps towards enabling Hollywood “runaway production” here this past summer.
More recently, studio mogul Jeffrey Katzenberg organized for Ben Stiller, Chris Rock and Jada Pinkett Smith to attend the Netanya premiere for Madagascar 2, whipping local fans and less local media outlets into a celeb-feeding storm.
And last month, William Morris Agency senior Motion Picture Department executive David Lonner teamed up with the Los Angeles Jewish Federation to bring several top movie execs to Israel to check out the scene here. Lonner organized a similar trip two years ago, but this time, he managed to bring big names like director Peter Sollett (Nick and Norah’s Infinite Playlist) and producers Nathan Kahane (Juno), Darren Star (Sex and the City) and Roger Birnbaum (The Sixth Sense, pictured). The Jerusalem Post recounts the experience in detail, with coverage including these moguls’ advice for how ambitious Israeli filmmakers can make it big overseas:
“They’ve got to cross the bridge,” says Kahane. “Make films inside the system, like some directors from Mexico have recently – Alejandro Gonzalez Inarritu, Alfonso Cuaron and Guillermo del Toro. They came and conquered Hollywood, then they can go back and work at home again. But they’ve branded themselves in the international community. It creates the opportunity to grow and play in the A-game. And it broadens the conversation on cultural identity outside the film industry as well.”
Birnbaum agrees, saying, “If they want to be competitive in the world marketplace, they need to tell stories that are more universal and make movies that work all over the world.”
Moreover, the trip included visits to tourist hotspots, a Q/A session at the Tel Aviv Cinematheque and a meet-and-greet dinner with local industry luminaries like actress Ronit Elkabetz, the Oscar-nominated writer-director Joseph Cedar and writer Etgar Keret. “They were very eager, very knowledgeable, a talented and diverse group of people,” Kahane says of the group.
Nostalgia Sunday – Sallah Shabati
Filed under: General, History and Culture, Immigrant Moments, Movies, Nostalgia Sunday, Pop Culture
If you don’t know the film Sallah Shabati then go out and rent it right away because you don’t know Israel. Yes, that’s how strongly I feel about it. Go, go, go out and get it now.
Okay, are you back? Good. Without giving away anything of the plot, Sallah is a film about the immigrant experience and although Israel has changed since 1964 when the movie was made, there are certain constants of Israeli society that humorist Ephraim Kishon put his finger on 44 years ago which still remain the same – bureaucracy, cronyism, societal divides, JNF tree plantings – all the things from which great humor is derived.
The film stars Haim Topol – who went on to have a successful international careers, as well as a very young Arik Einstein, an equally young Gila Almagor and a host of other well-known Israeli actors. It won two Golden Globes and was nominated for an Oscar in the Best Foreign Film category.
Now, the Cameri Theater is reviving the highly successful musical version of Sallah, which first premiered at Habima in 1988. It promises to be good. Here’s the movie version of Sallah’s big number, “Mashiach HaZaken.”
And a clip from the 1988 stage version starring Zeev Revah.
Bashir still dancing
Under the auspices of the Haifa Film Festival and the Tel Aviv Journalists’ Association, the Israeli Film Critics Awards ceremony gave Ari Folman’s Waltz with Bashir a statuette for being the year’s “Best Israeli Film” earlier this week.
The IFC award will have to vie for surface space on Folman’s mantelpiece, as Bashir, a new fusion of genres (documentary and animation), has been garnering accolades for quite some time now. Aside from perhaps finally heralding the dawn of the Israeli feature film animation industry, the movie received mad love at Cannes this past summer.
Now people are starting to wonder if it could be a contender for an Academy Award in the “Foreign Language” category – the category that allowed Joseph Cedar’s Beaufort to beat out The Band’s Visit for an Oscar nomination at the last ceremonies. Could Israeli films possibly be nominated for two Oscars in two years?
The Academy recently released a list of 67 movies chosen for the award by 67 countries, with Waltz with Bashir representing Israel. Since no animated movie has ever received a nomination in the Foreign Language category, it’s highly unlikely that Folman will make it to the red carpet. But then again, given that the Jews rule Hollywood with an iron fist, one never knows….
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