Hassidism at Boombamela
Filed under: A New Reality, Environment, General, History and Culture, Holidays, Israeliness, Music, Pop Culture, Profiles, Religion
A long-time disciple of Rabbi Shlomo Carlebach and a seasoned grassroots organizer, Michael Golomb used to spend his efforts marching against the Vietnam War. But since moving to Israel along with many of Carlebach’s Hassidim as part of that community’s mid-Seventies exodus from Haight-Ashbury, Golomb has busied himself with spreading a message of love at gatherings, encounter events and festivals – even mainstream, teenybopper-y ones like Boombamela, Shantipi and Beresheet.
Golomb and his crew have helped to organize Tents of Love and Prayer at several of these festivals, with the sub-camp serving as a festival within a festival for many party-goers. According to a statement released this week by director Guy Peleg, Boombalema’s planners love Carlebach-style Judaism because of its emphasis on happiness and love of mankind, making Golomb’s contributions key elements to the eye-opening, pan-spiritualist experience Peleg is trying to forge.
At the festivals, the Tent of Love and Prayer offers kosher food (which is even harder to come by during Passover), prayer services, meditation sessions, low-impact lectures and the like.
But it’s not always easy to keep one’s mind on lofty ideas when corporate sponsorship banners are flying high and scantily clad perky young ones are doing the same. And the mainstream festival circuit has received plenty of criticism in recent years about these trends from the hippie hardcore populace that first provided their critical mass about a decade ago. But Carlebach-style outreach was never afraid of “elevating the sparks” (as the Hassidic masters might have put it) out from the ditches. As The Chicago Tribune did put it back in 2007:
…Carlebach was one of the first emissaries of the Lubavitcher movement, a Hasidic group that pioneered outreach to disaffected Jews in the 1950s. Carlebach found himself particularly drawn to lost souls: drug addicts, runaway young people, the homeless.
Golomb carries this torch proudly, dancing while carrying a Torah scroll into the throngs of drum circle, sunset-hailing revelers at the opening evening of each festival. And it’s nice to see Boombalema’s leadership, which essentially represents the ultimate in the crossroads between mainstream pop culture and new-age (which usually means post-Jewish) spiritualism, appreciating his efforts.
This year’s three-day Boombamela Festival on Nitzanim Beach is set to kick off on April 9, with plans for this year including utilization of solar energy to cut down on electricity waste by half.
Outdoor folk
Filed under: General, History and Culture, Holidays, Life, Music
Ah, the country fair: a longtime staple of rural living. Folk getting together with other folk to celebrate the harvest moon, life, spiritual festivities and just plain good weather with food, home-made crafts and toe-tapping music.
You wouldn’t find any deep-fried Twinkies or Oreos here, and the crafts skewed towards tie-dies, soul-lifting art, and essential perfume oils, but there’s no doubt that the Third Moshav Country Fair at the Rabbi Shlomo Carlebach-founded Moshav Mevo Modiim fulfilled that down-home need.
With an impressive influx of excited fair-goers, the parking filled up fast and early for a full day of activities for all ages – from jugglers, face painters and story-tellers in the morning to afternoon freestyle rap sessions for modest women and how-to-compost lectures to impromptu yoga sessions and amazing jams in the late evening. Food, more often than not a disappointment when served from trucks by sweaty people to starving hordes, was unpredictably satisfying. There were corn dogs with love from Puff Zaidy, perfectly acceptable felafel by the bagel guy and assorted other treats.
The musical lineup included the biggest names in post-Shlomo music, Ben Zion Solomon and Sons setting the harmonized tone with beautiful mandolin-driven grooves. Shlomo Katz is so awesome with that first name that his trademark sweet vocals seem to be just icing on the cake. A Yehudah Katz of Reva L’Sheva fame turned it all the way up almost to seven. After a quick surprise set by international stars Moshav (including the poignant “Come Back“), a number of younger day-trippers were off to Jerusalem to enjoy that band’s show with Hamakor at the Maabada.
The day didn’t end there, however, as the unbilled finale Semantra – a retooled, retrofitted, and forward-thinking collaboration including Shmuel Nelson and Ari Leichtberg of Shimshak fame – wrapped it all up with an amazing set that left no doubts about this group’s budding greatness.











