Foto Friday – Holyland Hashers run Tel Aviv
Filed under: Foto Friday, General, Pop Culture, Sports, Travel
My running club, the Holyland Hash House Harriers, held a traditional Red Dress Run in Tel Aviv this weekend in celebration of our 777th run. The Hash, for the uninitiated (and yes, there is an initiation!), is an international running and beer-drinking dis-organization that specializes in fun runs. And here’s your proof:
Here we are, doing a bit of cult-to-cult dancing with some Hare Krishnas.
Ynet did a really nice video of the run, noting that, as Israelis tend to take their sports very seriously, they seemed mighty perplexed by the stampede of “Ameri-kookim” tearing down Rothschild Boulevard.
But that was nothing compared to the week before, when the Holyland Hash House Harriers met up with 40 Royal Navy sailors and flummoxed Haifa.
We are now getting set for the Tel Aviv Marathon, 10k and 5k runs on April 24th. (Despite all outward appearances, the group includes some very serious athletes). So be on the lookout! Come run with us! Or at least have a camera ready.
Nostalgia Sunday – Sali Ariel’s Tel Aviv Bauhaus
Filed under: Art, General, History and Culture, Nostalgia Sunday, Travel
As Tel Aviv’s centennial gets underway and the weather warms up, more and more festive events will be held to celebrate the occasion. One of these happened last night, when the Rozin Center Gallery opened the season with an exhibition of works by painter Sali Ariel.
Originally from the States, Sali was a long-time Jerusalemite who made the move to Tel Aviv over a decade ago. As she got to know her new home, she noticed it was changing before her eyes. “I started seeing the Ramat Gan business district going up and all the big tall buildings on Rothschild Boulevard and while I don’t think that’s bad, I was afraid we would forget how Tel Aviv looked. I also felt inevitably, Tel Aviv had to change but I didn’t know if it was for better or for worse. I wanted to document it for people in the future so they would know how Tel Aviv was in our time.”
Ariel feels she looked at Tel Aviv as an outsider, “because I had just moved from Jerusalem, Tel Aviv seemed to have a bright happy fun look about it. And maybe for that reason I didn’t see the trash and crumbliness, because I was comparing it to the serious and the grayness of Jerusalem, which I also love and think is beautiful, but very different.”
Ariel started out wandering Yarkon Park and trying to sketch the natural surroundings. “But whenever I started to paint trees there were buildings peeking out form behind. And when i started to paint buildings, shockingly, a lot of what i saw was green leafy stuff — they was sort of inseparable, the two.”
Ariel was not a Bauhaus aficionado when she started working on this theme. “I was just doing buildings that looked nice to me. And then i was offered an exhibit at the Bauhaus Center and have had several exhibits since then. It also turns out that many of the building that I like are Bauhaus — but not all. Some of them are the older buildings in what’s called oriental or eclectic style.”
More works can be viewed at Sali Ariel’s website and the current exhibit will be on display at the Rozin Center Gallery in Ramat Aviv until April 22.
Foto Friday – Sharon Yaari
Filed under: Art, Foto Friday, General, Israeliness
Was it real or did I dream it? Photography on one hand, can document fact. On the other hand, it creates illusions, presents images without context to leave any narrative up to the observer, or records people, places, and things that have passed. By its very nature, photographs are short-lived, comprised of fragile paper, film, or – worse yet – digital data that will disappear forever with one good wave of a magnet.
SharonYaari is an award winning photographer whose work has long dealt with the temporal. His new solo show “Jerusalem Boulevard” now at the Sommer Gallery in Tel Aviv are large-format photos of things readily identifiable as part of daily life in Israel: a checkered blanket of the kind that everyone used to have (we called them “sochnut blankets” when I made aliya, because the Jewish Agency distributed them to new immigrants); a classic semicircular Tel Aviv Bauhaus balcony; Ibex lying under a eucalyptus tree; a chair and some flowers; a woman at what is clearly (for Israelis) a memorial site.
They are at once familiar and at the same time, raise questions on a practical level: Do they make those blankets any more? Aren’t the Ibex in danger of extinction? Will the Bauhaus structures, whose architectural philosophy never intended them to stand forever, survive urban pollution? Is that woman from the Twenties? The Forties? The Eighties? Now?
They also raise questions on an existential level… does everything fade and die as undoubtedly these flowers did long ago?
“Jerusalem Boulevard” will be at the Sommer Gallery through March 21st.
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