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Foto Friday – Edward Kaprov helps splice the ends

Splicing the Ends is the name of a new art exhibition that opens next week, November 28th, at the Amiad Center in Old Jaffa. Over the past two years, Amiad has emerged as a unique center for the arts in Jaffa’s newly revived Flea Market area, now a hot nightlife spot for Tel Aviv’s young bohemian set.

According to the organizers, the exhibit celebrates the winter season festivals for the three major monotheistic religions — Hannuka, Christmas and Eid ul Fitr — by “telling the story of mankind through the different religions… exploring the themes of immigration, living as an individual and as part of a community, and how one relates to oneself and to one’s environment.”

The show features works by over 30 painters, sculptors and photographers , including Edward Kaprov. A veteran immigrant to Israel from the former Soviet Union, Kaprov has worked with Israel’s biggest newspapers including business daily Globes, Haaretz and Yedioth Aharonot. His features have been published by National Geographic, GEO, and Russian Newsweek as well as other publications.

His work on display in “Splicing the Ends” deals with how religion informs day-to-day life in Israel, whether in the army…

…at a soup kitchen for hungry children…

…motivating political protest…

Kaprov’s work ranges from news and commercial photography to personal projects, including a series on Shamanism in Israel.

Splicing the Ends runs from November 28 through December 21 at the Amiad Center. A portion of the proceeds from the exhibit will go to ILAN, Israel’s Foundation for the Handicapped.

Music downloads? Israel goes CD retro

As more and more people are downloading music on the Web and choosing Ipods over CD players, where can you find the good, old fashioned mega-CD stores? In Israel!

True, Tower Records has taken a hit here, with its Jerusalem flagship store closing down last year, but instead of throwing in the flag, other outlets have taken up the slack.

Whenever I’m in Tel Aviv – like yesterday – I try and make it over to the Ozen Hashlishi (Third Ear) on King George St. It’s the closest you can get in Israel to imagining you’re at one of those sprawling vintage CD/vinyl shops in the Village in New York, where the clerks wear Black Flag t-shirts and look like they’d just as soon stab you as take your money.

Tons of used and new CDs, vinyl, DVDs, books, featuring ample sections of niche music like ‘Israeli indie’ and ’60s Psychedelic,’ the Ozen is one of the few places you can pick up a copy Television’s landmark Marquee Moon CD – and at a bargain price. They’ve also got a club which at night hosts eclectic Israeli rockers for intimate unplugged chats with fans.

But Tel Aviv doesn’t corner the whole market for the discerning music lover. In the nation’s capital, Hatav Hashmini, a music store that began more than a decade ago by importing CDs at cheap prices and has since grown into a massive chain with its own music label, recently opened a massive, 340-square-meter store. They claim it’s the largest music CD and DVD store in Israel.

According to a report in The Jerusalem Post, the store features ten listening stations that allow visitors to sample virtually any CD in the store, one of them in a room dedicated entirely to classical music and opera.

During the grand opening last Thursday, Hatav Hashmini’s stated commitment to “music you can hold in your hands,” as opposed to downloadable MP3 files, was in strong evidence, as several big names on the label’s roster assembled for brief impromptu concerts.

Hatav Hashmini’s label boasts such artists as pop performers Micha Sheetrit, David Broza and Shlomo Gronich, as well as jazz saxophonist Danny Zamir. The store promises to host its artists for small-scale performances in the future. The venue is certainly spacious enough.

While it’s unlikely to replace the Ozen in my heart as THE place to shop for music in Israel, I’ll be certainly giving Hatav Hashmini every chance to prove itself in the coming months.

Nostalgia Sunday – Take a Hike, Alte Zachen!

It’s the end of an era. Ynet News reported today that following six-year struggle, Tel Aviv has become the first city in Israel to prohibit the entry of horse-drawn carriages into its territory.” That phrase, “horse-drawn carriages” is a pretty euphemism for the age-old Jewish profession of dealing in rags, bones and bottles. In other words, alte zachen. (The phrase is used universally even though for most Israelis in the trade it is about the only Yiddish word they will ever know).

According to Ynet, “The Tel Aviv Municipality and the Ministry of Transportation recently completed the posting of 23 road signs across the city’s southern entry routes which ban the entry of horses. The step completes a six-year long struggle to remove metal traders and junk peddlers from the city, who do their business using horse-drawn carriages.” So, no more surrealistic traffic jams like this:

“Attorney Reuven Ladiansky, who was elected as a Tel Aviv Municipality representative a year ago together with his Latet Lihyot (Let Live) movement, led the campaign against horse labor in the city. He was joined by Councilman Dr. Moshe Tiomkin, who acts as head of the municipality’s Transport & Parking Authority.”

Kindness to animals is a value in which I believe – and trust me, legislation of this sort was necessary as the horses working in the service of the local rag n’ bone men never seemed to be the happiest of creatures. Nonetheless, part of me will miss the clash of images that was so emblematic of this country: modern 20th and 21st century electronics being transported by ancient means.

It’s also unclear how the Tel Aviv ban can possibly affect animal-drawn carriage use everywhere else in Israel and the Palestinian Authority, where beasts of burden have traditionally been, well… just that. It looks like organizations like Latet Lihyot, Hakol Chai and Safe Haven for Donkeys in the Holyland will still have plenty of work to do.

Bayit banamal

I’m not the first to write about Tel Aviv’s namal, the refurbished port/boardwalk at the northern end of the city. And I must confess a ‘hubati’ (read below) love for strolling along its wooden planks, hillocked in some places to encourage kids on scooters, bikes and skateboards, and with just the right kind of cafes and restaurants along its length. (Although, as my mother pointed out recently, there are not enough benches for just sitting and looking at the sea.)

(’Hubatim’ or a ‘hubati’ — pronounced cho-BA-tim — is someone or those from Holon/Bat Yam. It’s a tongue-in-cheek/somewhat derogatory term for the Tel Aviv version of the bridge-and-tunnel crowd, those who don’t actually live in Tel Aviv, but come in from the outskirts to enjoy ‘the big city.’ Another TLV friend of mine has a kindly term for those of us who don’t live in the Big Orange, ‘ambassadors and diplomats.’)

This isn’t an entry about hubatim, however, rather about a societal development that I noticed at the namal. Sure, it’s got the shopping, the restaurants, the event halls and bars. But during the day, besides the ‘ambassadors and diplomats’ strolling along the boardwalk, as well as the tourists and unexplained working-age people who are hanging out rather than working — btw, they must be freelancers — there are many, many moms with babies, pushing strollers and carrying babes in slings. Sure, it’s a nice place to stroll when you’ve got a kvetchy ankle-biter. And the Israeli commercial network is clearly starting to feed into that trend, with a Steimatzky’s for kids, a Shilav (of course), including a lovely playground outside the store, and Dyada, a kind of club for babies and their parents.

It’s all quite baby-friendly, which is a helpful thing when you’re trying to negotiate the real world from the vantage point of a double stroller loaded with two one-year-olds. Then again, all they really wanted to do was crawl after the seagulls.

Photo credit: Debbie Zimelman

The Mohawk Returns to TA

As the recent owner of an old-but-new-for-me haircut — a modified mushroom, last seen on my head in 1983-1984 — I’ve been getting many comments about my newly shorn locks, probably because they’re shorter than they’ve been for some time. One friend told me, “You look ten years younger.” Which could mean just that, that I look ten years younger, but I sort of felt that it implied that I had a solid ten years to rid myself of, and now that I’d done just that, what have I been looking like for the last few years??

But given the centrality of hair in my life for the last week, I paid special attention to a Haaretz Gallery article this week about the increase of Mohawk haircuts on the streets of the Big Orange. It’s a look that attracts attention, as pointed out by Haaretz writer Tahel Frosh — whether it’s a modified, messed up or done up Mohawk. And given the recent harkening back to the 80s in the fashion world, it’s not a big surprise that this particular Punk style — and my mushroom head — is back.

According to stylist Maayan Goldman, the fashion statement being made by the current Israeli variation says, “I am not radical in any way, but I am here. I have fashion sense, but I’m not going to die for it.”

I mean, after all, it is just hair. It grows back.

Foto Friday – The Israel Photography Exhibition 2

POV, the Israeli Photography Exhibition at Hatachana, the Old Train Station in Tel Aviv’s Neve Tzedek, came out swinging earlier this month with individual retrospectives of works by well-known Israeli photographers. Additionally, there were also collective exhibitions on view at Hatachana — well worth visiting — and on YouTube. These include works by leading photographers, yet-unknowns and news agencies, the unsung heroes of photography in the field.

Last Summer

Israel Sun photo agency

Tomorrow’s Photographers

Ramirez Brothers invade Tel Aviv

You can hear a lot of different types of music bouncing around the vibrant Tel Aviv nightclub scene – from tons of dance/electro pop to ‘beautiful Israel’ public sing-alongs to grungy alternative rock, all within walking distance from each other.

But not even experienced Tel Aviv scenesters weren’t prepared for a group that combines a piercing trumpet, Jack White-distorted guitar histrionics, ‘70-styled funk and soul rhythms and a mess of facial hair. Never mind that all three members are brothers hailing from Mexico!

Forget that last part – The Ramirez Brothers are indeed the name of the band, but they’re not from Mexico and they’re not brothers. They’re just three talented Tel Aviv musicians with a penchant for shedding their shirts during their sweat-inducing performances. With songs sung in English that evolve into groove-based, howling jams, the band has gained a word-of-mouth following around the Tel Aviv area and are poised to break out beyond Israel’s borders soon.

“We thought it would be really cool to have stage names. And even though we’re not biological brothers, we are very close friends,” explained Sefi Ramirez (Zisling), the band’s trumpet player, who along with Uzi Ramirez (Feinerman) on guitar and vocals, and Eitan Ramirez (Efrat) on drums form the rather unorthodox trio, who effortlessly tackle an Americana mix of blues, funk, r&b and some Hendrix hysteria.

They’re no strangers to the Israeli music scene with Uzi handling guitar chores for Hadag Nahash and Sefi taking the solos for Funk’N'Stein and Yehudit Ravitz’s band. But The Ramirez Brothers is their passion and their baby, and their music offers a most exciting and seamless Israeli-American synthesis

So, the next time you unkowingly walk into a Tel Aviv club and suddenly think you’ve been transported to the American Deep South circa 1974, you’ll know that you’ve just stumbled upon The Ramirez Brothers. Don’t forget to say hi.

Pants off to Israel’s motorcycle protestors

Maybe it’s the hot weather, but protesters in Israel seem to like to get naked. The latest group to strip down to their underpants were the motorcyclists, hundreds of whom took to the streets of Tel Aviv late last week protesting against a hike in their insurance fees.

This is the fourth demo by the motorcycle community, who are getting increasingly incensed by the thought of the insurance rise, which is due to take place in November. In the last protest they snarled up route 2 causing heavy traffic jams.

Their motto this time was “They are leaving us without coverage”, which in Hebrew is a play on words that also means “without clothes/covers”. Hence the absolute necessity to whip off their clothes.

Walla covered the protest with lots of snaps and a video – naked people make good news obviously.

The demonstration comes just a few months after the Israel Bicycle Association and the Tel Aviv Rollers staged another protest ride to oppose the lack of government support for urban bike riding – in their thongs.

David reported on the bike protest here in Israelity. From a purely visceral point of view, it probably made better viewing, as bike riders and roller-bladers tend to be in much better shape than bikers.

But as Stephanie pointed out in her nude demo post a couple of years back – shape isn’t what counts in a naked protest.

Pic by Liron Almog/Flash 90. The sign at the back, by the way, reads: “The insurance companies strip us naked.”

Foto Friday – The Israel Photography Exhibition

POV, a retrospective of new works by Israel’s leading photographers/curators took place this past week at Tel Aviv’s newest landmark, the refurbished old train station structure in Neve Tzedek (pictured left). For those who missed the show (and that includes your humble scribe), POV has provided video portfolios for the group, as well as individual photographers. A portion of these works are presented in this Foto Friday column, with more to follow. Enjoy! And for those who can’t wait, visit the POV website and YouTube channel.

Show Portfolio

Moshe Shay

Yuval Tebol

David Perlov

Foto Friday – Viviana Tagar views Tel Aviv

“Tel Aviv is the city of light and shadows,” says photographer Viviana Tagar. “I decided to focus on the light.” Tagar, whose new book “Tel Aviv One” was recently published, wanted to redress the imbalance in how Tel Aviv is perceived abroad. “People see Tel Aviv as a city of war and despair… it was important to me to portray and present another Tel Aviv for them.” Tagar, a psychotherapist by trade, says that in her daily work she’s encountered many of the painful sides of life in Israel’s major city. “Tel Aviv has many dark aspects. It could be that because I worked with terror attack survivors and other people who lived in shadow, it was important for me to show the sides that are illuminated.”

Tagar’s book, Tel Aviv One, is available at Steimatzky and Tzomet Sfarim bookstores.

 

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