Lovin’ Livni
The object of affection
The foreign minister, Kadima leader and its candidate for prime minister in the February 10th elections has alot of other items on her resume, including Mossad agent, but until now sex symbol has not been one of them.
In ‘Livni Boy’, actor Liran Avisar wakes up over a poster of Tzippora, puts on a Livni Boy shirt and over a snappy hip hop beat, professes his love for the no-nonsense, happily married pol while dancing on the streets of Tel Aviv.
In a mixture of Hebrew and English, he sings lyrics like “Oh Tzipi, you’re what I wanted, all that I expected from a political leader,” “I don’t want Ehud. I don’t trust Bibi. Tzipi if you let me, I will be your man. Just tell me yes,” and “Not Golda, not Condoleezza, not Palin, not Michelle Obama, because no one can beat you, Momma.”
According to newspaper reports, the video was the brainchild of two young Kadima supporters who wanted to have some fun, and at the same time, drum up some street support for Livni.
“People think the video is a clever idea of [Livni strategist] Reuven Adler, but the truth is we did it at our initiative,” one of the duo told The Jerusalem Post. “Obama Girl inspired us to try to get young people here excited about Tzipi. Young people only connect to things that are really cool.”
After hearing about the video – or maybe even taking a gander – Livni reportedly called up her admirers to thank them. Now, the question is, if we’ll also begin seeing grassroots video tributes to Binyamin Netanyahu and Ehud Barak, the other leaders running for PM. Perhaps ‘Bibi Babe’ featuring Pnina Rosenblum, or how about ‘Bonkers for Barak’ featuring, well, someone that likes him..
Art Show at the Museum of the Underground Prisoners
Just when we thought we’d seen all that Jerusalem has to offer, along comes a surprise in the most unusual of spaces. For weeks, the Jerusalem municipality has been running full-page ads promoting Art Jerusalem 08, an exhibition with hundreds of mostly new and unknown artists. The setting was the Underground Prisoner’s Museum just off Kikar Safra (City Hall Plaza) in the Russian Compound neighborhood.
The fair was fabulous, ranging from under appreciated impressionists like Reuven Rubin to up and coming artists such as Ra’anana-based Estee Kreisman whose paint-on-photo panoramic canvases were one of our favorites. There was also a fair sprinkling of multimedia new age video and music-centric installations.
Art was for sale too. In one gallery, you could pick up a pint-sized version of David Gerstein’s striking multi-layered metal-on-metal sculptures or gaze longingly at an authentic Agam. There was an exhibition of just Bob Dylan photographs and even a Sotheby’s gallery featuring paintings for sale (at prices jumping to the hundreds of thousands of dollars for some works).
The highlight, though, was not the art itself but the interplay between the exhibition and the museum. The Underground Prisoner’s Museum was new to us (though both of our older kids have taken school field trips there). The museum is set in and around a former British jail used to house inmates ranging from petty criminals to political prisoners from 1918 to 1948 when the British quit Palestine. The building itself dates back to 1858 when it was served as a Russian pilgrims’ hospice for women.
The exhibits depict life in the prison and tell the stories of the underground groups and their members in order to perpetuate their memories. Incarceration resulted from offenses that included putting up posters, training and possession of weapons, and physical assault. At its height, the prison population totaled 250.
There are several long corridors lined with prison cells where inmates slept 8 to a room on thin woven mattresses on the floor. We toured the solitary confinement cells, the infirmary, synagogue and death row. Prisoners from the Jewish underground were put to work making coffins and gravestones for British policemen and soldiers they had killed in combat.
In retaliation, the British executed tens of Jews from the Irgun, Hagana and Lechi brigades during the time the jail was in operation (most of the underground members were transferred to the prison in Acre for execution). Large photographs of each of the underground fighters executed are displayed in an emotionally wrenching gallery.
Matt Harding in Tel Aviv
What better proof that the world we live in is getting smaller and smaller than this: the world’s most watched video. Fifteen million views in just two weeks.
Note, the fountain in Dizengoff towards the end.
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